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논문 기본 정보

자료유형
학술저널
저자정보
Brian McGrath (Parsons The New School for Design)
저널정보
한국디자인학회 Archives of Design Research Archives of Design Research Vol.28 No.1
발행연도
2015.2
수록면
5 - 17 (13page)
DOI
10.15187/adr.2015.02.113.1.5

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초록· 키워드

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Background : Over one hundred years of cinema has created one of the most vivid archives available to designers and design researchers, depicting a diverse range of cultural perspectives from around the world. As one of the most modern art forms, cinema provides a particular perspective on how people adopt new behaviors through design, assuming the gestures, poses and patterns of contemporary global society.
Methods : This essay uses the methodology illustrated in the book Cinemetrics: Architectural Drawing Today (McGrath and Gardner, 2007) to present a drawing system to data-mine film scenes, frame by frame, to measure the ways people, as sensori-motor actors, interrelate with designed objects, intermingle in social groups and interact with various environments.
Results : Three episodes filmed in three continents during the middle of the 20th century are analyzed, measured and drawn here in order to provide an archive of the ways people “become modern” through design.
Conclusion : Traditionally design archives are composed of objects and artifacts taken out of context and displayed in museum settings. Often the relationship between objects, environmental contexts, social life and human behavior is lost through this dislocation. Cinemetrics provides a sensori-motor archive of the relationships between human behavior and design objects and environments.

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Abstract
1. Introduction
2. Early Spring, Yasujiro Ozu, Tokyo, 1956
3. Contempt, Jean Luc Godard, Rome, 1963
4. Faces, John Cassavetes, Los Angeles, 1967
5. Conclusion
References

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