지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This thesis is a study of the essence of art, based on the literary work of Ryuosuke Akutagawa"s greatest masterpiece, Jigokuhen. Ryuosuke was a modern Japanese genius writer who committed suicide at the age of 35.
To conduct a study on this theme, the following three aspects of Jigokuhen were researched, namely, the materials of Ryuosuke’s.
The era of Ryuosuke was a time of confusion of values, caused by the conflict between Japan"s pre-modern worldview and that of the modern Western world. To describe human anguish more objectively in his era, he created his own literary world based on the materials of the literary works of the Fujiwara period. In Fujiwara"s era, the agony and anguish of human life was deeper than in any era, due to the clash between Japan"s unique and traditional Shinto worldview and the Buddhist worldview propagated from the continent.
Ryuosuke tried to tell us what art means to human life through an artist"s life in his times. He delivered a message to us that art is a means to establish aesthetic authority in the dimension of permanent afterlife, resisting any moral or political authority in the transient and earthly dimension.
To conduct a study on this theme, the following three aspects of Jigokuhen were researched, namely, the materials of Ryuosuke’s.
The era of Ryuosuke was a time of confusion of values, caused by the conflict between Japan"s pre-modern worldview and that of the modern Western world. To describe human anguish more objectively in his era, he created his own literary world based on the materials of the literary works of the Fujiwara period. In Fujiwara"s era, the agony and anguish of human life was deeper than in any era, due to the clash between Japan"s unique and traditional Shinto worldview and the Buddhist worldview propagated from the continent.
Ryuosuke tried to tell us what art means to human life through an artist"s life in his times. He delivered a message to us that art is a means to establish aesthetic authority in the dimension of permanent afterlife, resisting any moral or political authority in the transient and earthly dimension.
목차
서론
제1장 작자의 시대의식과 예술적 충동의 형성배경
제2장 작품의 서술형식과 작중세계의 중심사건의 기본구조
제3장 사건의 전환점과 작품의 주제
결론
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