지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study focuses on the dualism of storytelling in Lee Man-Hee’s feature film 〈The Marines Who Never Returned〉(1963). At first glance, this film looks a faithful realization of genre conventions, but on a closer view it is far more individual and unique for a typical Korean war film which aimed to preach a stereotypic anti-communist propaganda under the military regime of those days.
The story in this film chronologically follows the actual incidents and situations happened during the Korean War, but the plot proceeds in a different manner and precisely fits the conventional “three act structure” paradigm for ideal narrative feature films. While the story shows the military gains and intrepidness, the plot reveals the individual squad member’s sacrifice and helplessness. If the elaborate plot deftly plays with genre conventions, the combination of iconic characters and unusual characters reflects the auteur’s innovation. It also helps to create an unconventional atmosphere. The duality is also found in and between the characters. The pairs of characters, which at first cause conflict, complement each other at the end. The double-sidedness within individual characters represents the self in two parts: the persona and the shadow.
It is not the exciting spectacle of war but the human inner existential anguish that virtually dramatizes through such a dynamic form. And if not, it presents a kaleidoscope of manifold human types which is imaginable only in an extraordinary situation like a war.
The story in this film chronologically follows the actual incidents and situations happened during the Korean War, but the plot proceeds in a different manner and precisely fits the conventional “three act structure” paradigm for ideal narrative feature films. While the story shows the military gains and intrepidness, the plot reveals the individual squad member’s sacrifice and helplessness. If the elaborate plot deftly plays with genre conventions, the combination of iconic characters and unusual characters reflects the auteur’s innovation. It also helps to create an unconventional atmosphere. The duality is also found in and between the characters. The pairs of characters, which at first cause conflict, complement each other at the end. The double-sidedness within individual characters represents the self in two parts: the persona and the shadow.
It is not the exciting spectacle of war but the human inner existential anguish that virtually dramatizes through such a dynamic form. And if not, it presents a kaleidoscope of manifold human types which is imaginable only in an extraordinary situation like a war.
목차
1. 들어가며
2. 시나리오 집필 과정: 작가와 감독의 역할
3. 이면적(裏面的) 플롯 구성
4. 이원적(二元的) 캐릭터 구성
5. 맺으며
참고문헌
Abstract
참고문헌 (19)
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UCI(KEPA) : I410-ECN-0101-2015-688-000998026