지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This thesis has been planned to examine how the ideology of literature in the military-oriented age has been embodied in ‘the figure of North Korean farm village women.’ To that end, I attempted to examine the figuration of women represented in North Korean literature in the 2000s by connecting ‘March of Suffering’ with ‘Military-oriented Age.’ Painful memory of ‘March of Suffering’ gave birth to obsessive attitude toward the enhancement of farm village productivity. So North Korean farm village women in the 2000s are embodied as those who realize the ‘Military-oriented Age’ and perform the tasks of reinforcing agricultural productivity as agricultural workers. In many cases, those women agricultural workers carry out the tasks through the help of discharged soldiers or the North Korean People’s Army. In this sense, farm village women in the military-oriented age are embodied as assistants of the ‘Military-oriented Age’ who have to depend on the North Korean People’s Army, although they are leading figures of enhancing agricultural productivity.
In North Korean literature in the 2000s, the ‘Military-oriented Ideology and Military-oriented Politics that are presented as the ideology of the ‘Military-oriented Age’ ‘are not prominently revealed, but the painful memory and fear of ‘March of Suffering’ deeply overhang. This memory of fear is realized as obsession on ‘Productivity First.’ In Kim Seong-hee’s “the Echo of Ryongsan” or Yoon Gyeong-chan’s “Expanding Land,” the landscapes of farm villages where expansion of productivity that should be accomplished by the women’s initiative are represented. These people are placed in the realities of obsession that is the reinforcement of agricultural productivity through the painful memory of the ‘March of Suffering.’ Only in Jo In-hyeong’s “A Memory of a Woman” published in 2005 it was possible to make reminiscent descriptions on the ‘March of Suffering.” What should not be overlooked in those women figures is the fact that women are agricultural worker in the ‘public world’ but their homes and love affairs as their ‘private world’ are suppressed.
The noteworthy literary work is Kim Yeong-seon’s “Flames.” In this work, Euna appears on the scene as a daughter of Ryu Geun-hyeok who was given the tile of an efforts hero and is embodied as a prominent character who newly rehabilitate ‘Saemgol Village.” Euna is a discharged soldier and the women group leader who represents new generation. The figuration of Ryu Euna who brings about more prominent achievements than her father’s, while meeting her father’s wish, symbolizes the ideology of the North Korean society
The public world in which the private world is not guaranteed reveals indirectly the abnormality of human life. It is the attitude that attaches greater importance to totality than to the individuals’ secrete emotion, and reveals the fact that ‘private freedom’ is not guaranteed. The fact that the suppression of private life is, in many parts, based on the memory of fear about ‘March of Suffering’ testifies unhappy realities that the North Korean society faces.
The realities in which the past is mobilized as the driving force of the present are degenerative. Normal daily life is possible when it is possible to project the present and the future based on the realities, i.e. to objectify oneself from the past. In this sense, the discourse called ‘Military-oriented Age’ is the discourse arrested by the past called ‘March of Suffering’, and the discourse that testifies that the North Korean society is in a state of emergency to overcome a kind of crisis.
In North Korean literature in the 2000s, the ‘Military-oriented Ideology and Military-oriented Politics that are presented as the ideology of the ‘Military-oriented Age’ ‘are not prominently revealed, but the painful memory and fear of ‘March of Suffering’ deeply overhang. This memory of fear is realized as obsession on ‘Productivity First.’ In Kim Seong-hee’s “the Echo of Ryongsan” or Yoon Gyeong-chan’s “Expanding Land,” the landscapes of farm villages where expansion of productivity that should be accomplished by the women’s initiative are represented. These people are placed in the realities of obsession that is the reinforcement of agricultural productivity through the painful memory of the ‘March of Suffering.’ Only in Jo In-hyeong’s “A Memory of a Woman” published in 2005 it was possible to make reminiscent descriptions on the ‘March of Suffering.” What should not be overlooked in those women figures is the fact that women are agricultural worker in the ‘public world’ but their homes and love affairs as their ‘private world’ are suppressed.
The noteworthy literary work is Kim Yeong-seon’s “Flames.” In this work, Euna appears on the scene as a daughter of Ryu Geun-hyeok who was given the tile of an efforts hero and is embodied as a prominent character who newly rehabilitate ‘Saemgol Village.” Euna is a discharged soldier and the women group leader who represents new generation. The figuration of Ryu Euna who brings about more prominent achievements than her father’s, while meeting her father’s wish, symbolizes the ideology of the North Korean society
The public world in which the private world is not guaranteed reveals indirectly the abnormality of human life. It is the attitude that attaches greater importance to totality than to the individuals’ secrete emotion, and reveals the fact that ‘private freedom’ is not guaranteed. The fact that the suppression of private life is, in many parts, based on the memory of fear about ‘March of Suffering’ testifies unhappy realities that the North Korean society faces.
The realities in which the past is mobilized as the driving force of the present are degenerative. Normal daily life is possible when it is possible to project the present and the future based on the realities, i.e. to objectify oneself from the past. In this sense, the discourse called ‘Military-oriented Age’ is the discourse arrested by the past called ‘March of Suffering’, and the discourse that testifies that the North Korean society is in a state of emergency to overcome a kind of crisis.
목차
1. 선군시대 북한 농촌 여성의 위치
2. ‘고난의 행군’에 대한 기억들
3. 공포와 강박, 그리고 사로잡힌 여성들
4. 혁신에 대한 열망과 이념형 여성인물
5. 선군시대의 위기담론과 여성의 자발적 동원
참고문헌
Abstract
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