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자료유형
학술저널
저자정보
이원동 (경북대학교)
저널정보
한국어문학회 어문학 語文學 第112輯
발행연도
2011.6
수록면
329 - 350 (22page)

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초록· 키워드

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Lee Seok Hoon is one of the important pro-Japanese writer in the end of Japanese colonization era. He created works from 1930?s to 1940?s, so we can explain as the example of the writer in collaboration with the japanese. In the first place, Lee Seok Hoon wrote a novel for the enlightenment of the farmers, 『황혼의 노래』(1933), his novel. But in this work, he stress over what the describing how the hero?s family fell, rather than focusing on what the enlightening of the farmers. And he thought farmers as the ideal subject and the subject of the reformation. This eye of the subject is similar to the eye of the imperialist toward the natives.
Since then, Lee Seok Hoon dealt mainly with love story about young men and women who pursued the western culture. They preferred to western music, art, theater. In that point, Lee Seok Hoon must be pursued the western culture. But In his love stories, the preference to the western culture deconstructed the endogenic cause. The young men, who was main character in his story, had the eye of the subject, but he had a brush with experience of others. In his short stories, 「부채」, and 「재출발」, Lee Seok Hoon represented that the young men, who pursued the western culture, didn?t attain his goal, because of his irrational behavior from emotion and feeling.
As everyone knows, Lee Seok Hoon converted to the Japanism. This was the conclusion of his introspection to the preference of the western culture. But this conclusion was very sorry. Because there was not enough introspection to the preference of the western culture.

목차

1. 머리말
2. 계몽 주체의 시선과 타자로서의 민중
3. 타자 경험에 의한 시선의 해체
4. ‘민족주의’에서 ‘일본주의’로의 전환
5. 맺음말
참고자료
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UCI(KEPA) : I410-ECN-0101-2013-810-000568126