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논문 기본 정보

자료유형
학술저널
저자정보
김겸섭 (대구대학교)
저널정보
대구대학교 인문과학연구소 인문과학연구 인문과학연구 제35집
발행연도
2010.8
수록면
61 - 83 (23page)

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초록· 키워드

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Deleuze stresses the conceptual autonomy of the State. Deleuze's notion of the State operates on many different conceptual levels. He argues that the State is an abstract form of power not wholly identifiable with its particular concrete realisations. Deleuze refers to a 'State-form' an abstract model of power: "the apparatus of the State is a concrete assemblage which realises the machine of overcoding of a society ... This ma-chine in its tum is thus not the State itself, it is the abstract machine which organises the dominant utterances and the established order of a society, the dominant languages and knowledge, conformist actions and feelings, the segments which prevail over others."
For Deleuze the State is an abstract machine rather than a concrete institution, which essentially "rules" through more minute institutions and practices of domination. The State overcodes and regulates these minor dominations, stamping them with its imprint. What is important about this abstract machine is not the form in which it appears, but rather its function, which is the constitution of a field of interiority in which political sovereignty can be exercised. The State may be seen as a process of capture.
Similarly to Stimer, Deleuze breaks with the Marxist analysis of the State. The function and origins of the State cannot be wholly explained by an economic analysis. The State is an apparatus which codes economic flows and flows of production, organizing them into a mode. This apparatus did not rise as a result of an agrarian mode of production as Marx argued, but in fact predates, and is presupposed by, this mode of production. For Deleuze the State cannot be attributed to the mode of production. Turning this traditional Marxist analysis on its head they suggest that the mode of production may in fact be derived from the State. As Deleuze says: "It is not the State that presupposes a mode of production; quite the opposite, it is the State that makes productions a 'mode'" For Deleuze there has always been a State - the Urstaat, an eternal State which comes into existence fully formed, at one stroke. This non-economic analysis of the State opens up a radical philosophical terrain in which power is theorised in its own right.

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