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자료유형
학술저널
저자정보
김상근 (연세대학교) 김지인 (연세대학교)
저널정보
연세대학교 한국기독교문화연구소 신학논단 신학논단 제57집
발행연도
2009.9
수록면
199 - 239 (41page)

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??This is to give a historical description on roles and activities of Jesuit missionaries who introduced western painting style into Japan and China. Studies on this field traditionally have been made by art historians and scholars in the society of Jesus respectively. In this essay, we have tried using missiological perspectives to interpret cultural influences. It is missiological perspective that makes this article different from theirs.
??When Japanese and Chinese encountered new images from European culture, They had to face both European image system and European 'religion'. that is, a 'window' through which they were obliged to see the world. We focused on tensions and interdependence between those to systems when Japanese and Chinese were getting used to see the world differently.
??Though the periods dealt with aren't the same in each country, the basic concern which connects them is similar. The decisions of Trent Council on religious art the missionaries used as a method to do missionary work. The historical background has been described. And we have traced each missionary's activities and reactions to a new culture on the side of, what we call, 'receiver' in the process of introducing western painting style. Further sophisticated studies should be made on situations and motives of an artist and missionary being sent to Asia and the whole process in terms of missiological perspectives in detail. More importantly, Asians understanding and reactions to new images and a foreign way of seeing the world on their own situations which we haven't dealt with fully.

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들어가는 글
1. 예수회 선교사 겸 화가들은 왜 아시아로 왔을까?
2. 예수회 선교사/화가들의 서양화법 전래 과정
3. 선교학적 동서미술 교류사 연구를 위한 제안
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UCI(KEPA) : I410-ECN-0101-2012-230-004246614