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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Eco-criticism tends to be defined as “the study of nature writing by way of any scholarly approach or, conversely, the scrutiny of ecological implications and human-nature relationships in any literary texts” (Slovic, 27). Examining the negotiation between human and nature has tackled the field of Korean “pure” literature called Sunsumunhak. These writers advocate the purity of literature by turning their eyes to nature from socialist realism or Western “modernism.” Kim, Dongni(1913-1995) represents this flow of literature when Japanese colonial rule controlled Korean literary circles in late 1930's and early 1940s. His representative work, “The Shaman Painting”(1936) describes the atmosphere of Korean nature in a remote village near Gyeongju, the ruined capital of ancient Korea. In this fiction, Kim attempts to reinvigorate shamanism as Korean tradition against Western religion, Christianity. He treats Christianity as an unwelcome guest which persecutes shamanism.
For this reason, literary critics tend to understand this work as a religious struggle between East and West. This point of view is plausible; however, his obsession with shamanism seems to divert from a religious category. I want to explore Kim's obsession with shamanism from an ecological and feministic perspective. The death scene of a heroine, a shaman, and fictional characters' and a narrator's ruined identity enlighten me that these characters are deeply connected with nature, stage, and background. Thus, I explore how human beings negotiate with the nature in “The Shaman Painting.” Then, I examine the essence of the Korean spirituality that Kim portrays here.
For this reason, literary critics tend to understand this work as a religious struggle between East and West. This point of view is plausible; however, his obsession with shamanism seems to divert from a religious category. I want to explore Kim's obsession with shamanism from an ecological and feministic perspective. The death scene of a heroine, a shaman, and fictional characters' and a narrator's ruined identity enlighten me that these characters are deeply connected with nature, stage, and background. Thus, I explore how human beings negotiate with the nature in “The Shaman Painting.” Then, I examine the essence of the Korean spirituality that Kim portrays here.
목차
1. 환경 비평의 관점으로 바라본 샤머니즘
2. 인간과 자연, 그 이분법을 넘어서
3. 수동적인 타자의 위치
4. 삶에 대한 긍정: 기독교이거나 샤머니즘이거나
〈인용문헌〉
〈Abstract〉
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UCI(KEPA) : I410-ECN-0101-2012-810-004310293