지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Kim Dong-ri’s Novel 〈Eul-hwa〉 is important to understand Kim Dong-ri’s authorship in his literay life. He had wished to write novel resisting the occidental modernity in Korean modern literature history. To accomplish that goal, he tried to write a full-length novel like 〈Eul-hwa〉(1978) in his later life. In this paper, I tried to interpretate this problem, focusing on analyzing the charactersization of 〈Eul-hwa〉 and 〈Munyeodo〉. First of all, I investigated the Kim Dong-ri’s genre consciousness of modern novel. He knew the essence of modern novel exactly. So his knowledge about novel can be transferred to the desire of writing full-length novel in his literary life. 〈Eul-hwa〉 is the result of it. In 〈Eul-hwa〉, I found three features of figuring characters of modern individuals, ‘Eul-hwa’ and ‘Young-sool’. First, the inner minds of characters are generated. Second, the historicity of characters’ actions. Third, the language of relational desires. These features can be explained as the modernity of novel. But these features are not satisfactory to regard 〈Eul-hwa〉 as a full-length novel. The causes of that problem arise out of the self-contradiction between a desire to write a full-length modern novel and a desire to figure modern individuals in a novel. Self-contradicting two desires to write modern novel, also Kim Dong-ri’s concrete literary beliefs, resulted in an unsuccessfulness of 〈Eul-hwa〉.
목차
Abstract
1. 김동리 소설 쓰기의 장르론적 문제성
2. 소설의 장르성에 대한 김동리의 인식
3.〈을화〉에 나타난 인물 형상화의 변화
4. 인물 형상화에서 내적 모순의 문제
5. 모순된 소설적 욕망의 문학적 신념화
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UCI(KEPA) : I410-ECN-0101-2013-710-001385264