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초록· 키워드
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It is difficult to define the local identity of one area's shamanism Korea because of its complexity and many-sidedness. The shamanism of southern gyeonggi province is also complex and many-sided. There are various kinds of shamans and their respective shamanism rituals. The so-called local identity of southern gyeonggi province's shamanism may not be true identity but one aspect of it.
In general the method of 'choice and exclusion' is used to define the local identity of one area's shamanism in Korea Until now so-called 'wharaengipe(the group of traditional korean musicians)-musok'(화랭이패 무속)has been presented as traditional shamanism of this area, and other types of shamanism have been dismissed as recent phenomena But this style of defining of local identity has a problem of not grasping the whole aspects of this area's shamanism So this paper adopt a strategy of describing of both wharaengipe-musok and other types of shamanism in this area centering around Mudang(Korean shaman), Gut(Korean shamanism ritual), dangoljedo(social, religious organization of Korean shamanism).
A feature of this area's shamanism is the well balanced coexistence of various kinds of Korean shamanism There is a dominant type of shamanism in other areas in Korea. Another feature is the important roles and status of wharaengi(traditinal korean musicians) in shamanism rituals. In other area's shamanism the traditional Korean musicians also participate in shamanism rituals, but their roles and status are not as important as those of wharaengi in this area.
Now this area's shamanism is gradually losing its local peculiarity and undergoing the process of standardization like other aera's shamanism in Korea. In these situation it is important to try to find and define the local identity of this area's shamanism. But to do this it is needed to have concern for both traditional features and present states of this area's shamanism.
In general the method of 'choice and exclusion' is used to define the local identity of one area's shamanism in Korea Until now so-called 'wharaengipe(the group of traditional korean musicians)-musok'(화랭이패 무속)has been presented as traditional shamanism of this area, and other types of shamanism have been dismissed as recent phenomena But this style of defining of local identity has a problem of not grasping the whole aspects of this area's shamanism So this paper adopt a strategy of describing of both wharaengipe-musok and other types of shamanism in this area centering around Mudang(Korean shaman), Gut(Korean shamanism ritual), dangoljedo(social, religious organization of Korean shamanism).
A feature of this area's shamanism is the well balanced coexistence of various kinds of Korean shamanism There is a dominant type of shamanism in other areas in Korea. Another feature is the important roles and status of wharaengi(traditinal korean musicians) in shamanism rituals. In other area's shamanism the traditional Korean musicians also participate in shamanism rituals, but their roles and status are not as important as those of wharaengi in this area.
Now this area's shamanism is gradually losing its local peculiarity and undergoing the process of standardization like other aera's shamanism in Korea. In these situation it is important to try to find and define the local identity of this area's shamanism. But to do this it is needed to have concern for both traditional features and present states of this area's shamanism.
목차
Ⅰ. 들어가는 말
Ⅱ. 무당
Ⅲ. 단골제도
Ⅳ. 무속의례
Ⅴ. 맺음말
참고문헌
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