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In the history of patriarchy, the sufferings of the nature and women can be found in the same context and realizing the fact that women and children were the first victims of the environmental destruction motivated them to awaken a new kind of feminism, ecofeminism.
Isabel Allende is one of the Latin American authors who have defended the situation of women pressured under the patriarchy of Latin American society. The feminism of Allende is close to the essentialism, representing a creativity of women's emancipation from maternity or motherhood which many western feminists have avoided to discuss in the fear of falling in a self-contradiction.
We can find again the author's view of the world in Paula. Paula was the story started to be told to Allende's daughter who was in coma. However, it finally remains as a message for her mother of the daughter, herself, who passes away.
It can be summed up as the grand maternity with creative vitality. For the author, the nature is not different from the human being, a kind of creative expression of the feminism principle. Women who experiment menstruation, pregnancy, delivery and breast-feeding also experience the opportunity to recognize themselves in the continuity of the nature in their daily lives. Furthermore, Allende presents the existence of the goddess Gaia, main origin of life and fertility by perceiving the mythological world.
When her daughter was dying, the only thing Allende could do, as a mother-author, was writing. The confession of the mother-author in Paula is an intimate and private discourse of a woman. But, thanks to the creative vitality contained in the maternity, the story in which everyday life and the sensibility are conceived denies to be remained on the level of the mystification of the ‘cheap maternity’ and can be sublimated to the public realm.
The mother-narrator is a creator of the intimate world and, at the same time, a creator of esthetic world, that is literature. They can't be separated the latter from the former. That's because a mother is a writer(creator). So her intimate interior world makes a compromise between the private and the public, because the narrator ‘mother’ is Isabel Allende, ‘the writer’ herself. In this way, Paula remains as an eternal existence by the means of her mother's writing.
In conclusion, Paula is a maternal language poetic of the Mother Land in which the author, at the sickbed of her daughter until her death, throws up the confusion on the mystery of the spirit and life, labyrinth and the impossibility of readvent by suffering of rubbing her body and the senses.
Isabel Allende is one of the Latin American authors who have defended the situation of women pressured under the patriarchy of Latin American society. The feminism of Allende is close to the essentialism, representing a creativity of women's emancipation from maternity or motherhood which many western feminists have avoided to discuss in the fear of falling in a self-contradiction.
We can find again the author's view of the world in Paula. Paula was the story started to be told to Allende's daughter who was in coma. However, it finally remains as a message for her mother of the daughter, herself, who passes away.
It can be summed up as the grand maternity with creative vitality. For the author, the nature is not different from the human being, a kind of creative expression of the feminism principle. Women who experiment menstruation, pregnancy, delivery and breast-feeding also experience the opportunity to recognize themselves in the continuity of the nature in their daily lives. Furthermore, Allende presents the existence of the goddess Gaia, main origin of life and fertility by perceiving the mythological world.
When her daughter was dying, the only thing Allende could do, as a mother-author, was writing. The confession of the mother-author in Paula is an intimate and private discourse of a woman. But, thanks to the creative vitality contained in the maternity, the story in which everyday life and the sensibility are conceived denies to be remained on the level of the mystification of the ‘cheap maternity’ and can be sublimated to the public realm.
The mother-narrator is a creator of the intimate world and, at the same time, a creator of esthetic world, that is literature. They can't be separated the latter from the former. That's because a mother is a writer(creator). So her intimate interior world makes a compromise between the private and the public, because the narrator ‘mother’ is Isabel Allende, ‘the writer’ herself. In this way, Paula remains as an eternal existence by the means of her mother's writing.
In conclusion, Paula is a maternal language poetic of the Mother Land in which the author, at the sickbed of her daughter until her death, throws up the confusion on the mystery of the spirit and life, labyrinth and the impossibility of readvent by suffering of rubbing her body and the senses.
목차
Ⅰ. 들어가는 말
Ⅱ. 공간대비를 통한 여성적 원리의 회복
Ⅲ. 가이아의 후예들로서의 여성
Ⅳ. 사적 담론의 공적 담론화
Ⅴ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2012-705-003611080