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Notes from the Underground is a key work in which Dostoevsky develops the main themes of his great novels. These themes may be broadly stated as criticism of the idea that society can be reorganized on a permanently happy basis by means of reason. The Underground Man occupies a transitional position in Dostoevsky's works. He represents in part the continuation of the theme of "little man" and represents as well the beginning of Dostoevsky's critical examination of the anti-hero and social apostate. In other word, it is in the Underground Man that the timid rebellion of Makar Devushkin takes on the destructive character that the author will condemn in Raskolnikov.
In Crime and Punishment and subsequent works the theme of anti-hero and social apostate is separated from the theme of "little man". Instead, "spirits endowed with intellect and will" introduce moral chaos and destruction into society, just as "reason" lead Raskolnikov, Stavrogin, and Versilov to moral disaster, which means that reason alone provides no foundation for behaviour. This idea is first developed in Notes from the Underground.
The central fact of rationalism is its inevitable violation of the individual. This idea is illustrated by the tragic drama of Ivan Karamazov. The Legend of the Grand Inquisitor is the intellectual fruit of the last and greatest anti-hero. The Underground Man's rejection of the rationalists' "crystal palace" world harmony is related to Ivan's rejection of God's world. The Underground Man rejects the world harmony of the rationalists because it is based on ignoring and negation of suffering. Ivan with "Euclidian reason" cannot accept the world harmony that is based upon tears and suffering of children. He cannot accept the world that is not justified by reason. Thus, both the anti-rationalist Underground Man and the rationalist Ivan arrive at the same conclusion - the conclusion of uncompromising idealists. Pessimism and despair about the fate of man unite the Underground Man and Ivan. But the despair that leads the Underground Man to the idea of never-ending rebellion of the individual against any and all encroachment on his freedom evokes Ivan's creation of The Legend of the Grand Inquisitor.
In Crime and Punishment and subsequent works the theme of anti-hero and social apostate is separated from the theme of "little man". Instead, "spirits endowed with intellect and will" introduce moral chaos and destruction into society, just as "reason" lead Raskolnikov, Stavrogin, and Versilov to moral disaster, which means that reason alone provides no foundation for behaviour. This idea is first developed in Notes from the Underground.
The central fact of rationalism is its inevitable violation of the individual. This idea is illustrated by the tragic drama of Ivan Karamazov. The Legend of the Grand Inquisitor is the intellectual fruit of the last and greatest anti-hero. The Underground Man's rejection of the rationalists' "crystal palace" world harmony is related to Ivan's rejection of God's world. The Underground Man rejects the world harmony of the rationalists because it is based on ignoring and negation of suffering. Ivan with "Euclidian reason" cannot accept the world harmony that is based upon tears and suffering of children. He cannot accept the world that is not justified by reason. Thus, both the anti-rationalist Underground Man and the rationalist Ivan arrive at the same conclusion - the conclusion of uncompromising idealists. Pessimism and despair about the fate of man unite the Underground Man and Ivan. But the despair that leads the Underground Man to the idea of never-ending rebellion of the individual against any and all encroachment on his freedom evokes Ivan's creation of The Legend of the Grand Inquisitor.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고 문헌
참고문헌 (23)
참고문헌 신청
[단행본] - Достоевский, Ф. М. / 1957 / Братья Карамазовы (Собрание сочинений в десять томах. том девятый) / Москва: государственное издательство художственной литературы,
[단행본] - / 1957 / Записки из подполья(Собрание сочинений в десять томах. том чет- вертый) / Москва: государственное издательство художственной литературы
[단행본] - 도스또예프스끼, 표도르 미하일로비치 / 2004 / 지하로부터의 수기 / 열린책들
[단행본] - 이대우 / 2004 / 까라마조프 씨네 형제들 / 열린책들
[단행본] - 체르니세프스키,니콜라이 / 1995 / 무엇을 할 것인가 / 열린책들
[단행본] - / 1957 / Записки из подполья(Собрание сочинений в десять томах. том чет- вертый) / Москва: государственное издательство художственной литературы
[단행본] - 도스또예프스끼, 표도르 미하일로비치 / 2004 / 지하로부터의 수기 / 열린책들
[단행본] - 이대우 / 2004 / 까라마조프 씨네 형제들 / 열린책들
[단행본] - 체르니세프스키,니콜라이 / 1995 / 무엇을 할 것인가 / 열린책들
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UCI(KEPA) : I410-ECN-0101-2012-705-003610194