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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The aim of this study is to revaluate the poetry written in 1970's through determining the view of nature in literary coterie magazine, “Jayushi”(자유시). Members of Jayushi are mostly young poets from Daegu, and they showed unique aspects that support literary purity and personal freedom in totalitarian reality of 1970’s.
However, previous studies are not endowing positive value on Jayushi by grasping their proposed meaning of freedom too abstract. On this, this study would redefine the meaning of freedom that appears in their poems, and to do so, the aspect of nature that is portrayed in their poems would be examined. The subject works are limited to the ones of Lee Ha-seok, Lee Dong-sun, and Lee Tae-su, who continuously participated and actively released books from vol.1 to vol. 6.
First, Lee Ha-seok expresses human form, which lost nature of oneself, meaning generative power, through his poems through civilizing process. People try to dominate external nature under the name of industrialization, but as a result, they deny and control even the nature of internal self. In other words, domination of nature is soon led to the domination of people, and is degraded as unnatural existence. In his poems, Lee Ha-seok shows that a way to solve contemporary issues is to realize that human, who frees oneself from oppression, is, in fact, free man, and to do so, they should become like nature.
Then, Lee Dong-sun expresses nature as an ideal group in his poems, and each components freely live in that group as they coexist and live together symbiotically. Through this, Lee Dong-sun criticizes wrongful collectivism of modern society, that instigates alienation of individuals.
Lastly, Lee Tae-su expresses humans forms, which is leaving on a journey of self-inquiry with spiritual and divine guidance of nature. Through this, he emphasizes that truly free human beings are the ones that discover true self through self-examination on themselves.
As said, nature in the poems of Jayushi members is created in various shapes, and recognition of reality of poets and searching for the meaning of freedom are being mediated. Here, rigorous criticism on contemporary society, which deprives freedom, is contained, and for this reason, retrospective view of observing their poems as abstract works should be reconsidered.
However, previous studies are not endowing positive value on Jayushi by grasping their proposed meaning of freedom too abstract. On this, this study would redefine the meaning of freedom that appears in their poems, and to do so, the aspect of nature that is portrayed in their poems would be examined. The subject works are limited to the ones of Lee Ha-seok, Lee Dong-sun, and Lee Tae-su, who continuously participated and actively released books from vol.1 to vol. 6.
First, Lee Ha-seok expresses human form, which lost nature of oneself, meaning generative power, through his poems through civilizing process. People try to dominate external nature under the name of industrialization, but as a result, they deny and control even the nature of internal self. In other words, domination of nature is soon led to the domination of people, and is degraded as unnatural existence. In his poems, Lee Ha-seok shows that a way to solve contemporary issues is to realize that human, who frees oneself from oppression, is, in fact, free man, and to do so, they should become like nature.
Then, Lee Dong-sun expresses nature as an ideal group in his poems, and each components freely live in that group as they coexist and live together symbiotically. Through this, Lee Dong-sun criticizes wrongful collectivism of modern society, that instigates alienation of individuals.
Lastly, Lee Tae-su expresses humans forms, which is leaving on a journey of self-inquiry with spiritual and divine guidance of nature. Through this, he emphasizes that truly free human beings are the ones that discover true self through self-examination on themselves.
As said, nature in the poems of Jayushi members is created in various shapes, and recognition of reality of poets and searching for the meaning of freedom are being mediated. Here, rigorous criticism on contemporary society, which deprives freedom, is contained, and for this reason, retrospective view of observing their poems as abstract works should be reconsidered.
목차
1. 서론
2. 내적 자연의 회복을 통한 억압으로부터의 일탈-이하석의 경우
3. 자연과의 유비를 통한 이상적 공동체의 모색-이동순의 경우
4. 자아 찾기의 행로와 구도자로서의 자연-이태수의 경우
5. 결론-낭만주의적 귀결의 한계
〈인용문헌〉
〈Abstract〉
참고문헌 (16)
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