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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Although fiction is a genre appeared from modern times, its aesthetical property can be related to the ecological problems. The language of fiction not only has the function of indicating and defining but also enables us to search the unrecognizable realm with a certain inspiration. There, we encounter ˝another nature,˝if not ˝nature itself.˝ Since modern times, the mystery of nature has disappeared. Only the nature captured by cogito-subject, not ˝nature itself,˝ existed. The modern subject deprived human beings of their natural essence as well as took away the essence of nature, leaving it as ˝an object subordinated to the subject˝ or ˝an interpreted nature.˝If this has been done since modern times, ecological problems cannot be solved without reflecting modernity. When nature is subordinated to human beings, the link between the ecological system and them cannot be found, and therefore, true relationship between each other is not possible. This paper views that the language of fiction, though appeared from the modern times, mediates between nature and human beings. Fiction deals with our own body or unconsciousness, which resembles ˝the structure of nature.˝In it, we can approach the process in which the subject is formed, the reality of other oppressed by linguistic ideology, or even˝the true nature of nature.˝ It is made clear especially by examining the narratives displayed in the myths such as The Odyssey or King Oedipus. We can read the relation between nature and human beings, observing how ˝the unconscious as nature˝ unfolds itself in the fundamental narrative. Although fiction has gone far from myth, it still retains the traces of it. It enables us to chase the origin of human beings, who are now detached from nature, realize the difficulty of approaching the true nature of nature, and deliberate on what kind of relation we should maintain with nature. We cannot talk about the nature existing ˝beyond the structure,˝ until we comprehend the text permeated with the spirit of nature, the text that has become ˝another nature.˝ Odysseus wanders about the sea route, which he may possibly cover in a few days, for ten years, paradoxically revealing the power of nature. Also, Oedipu＇s shows ˝the process of recovering the subject by admitting the other as a subject˝ through his atonement. In like manner, Myths tell us the way to nestle again in the bosom of nature through narratives. The seafaring of Odysseus and the atonement of Oedipus had been the foundation on which human beings could have maintained soundness so far. The language of fiction mediates between nature and human beings. It still retains such power in contemporary times. It challenges taboos and commit violations to open the ecological horizon beyond the ideology. It becomes more valuable when achieved through ˝the spirit of negation,˝as in Adorno, or through the recovery of ˝the otherness of other,˝as in Levinas. The language of art begins conversation at the point where it is alienated from the reason and revives the language of other, such as the language of nature, dream, and contingency. Finally, it enables us to enjoy the play on an equal footing with the other, communicating with nature. Consequently, fiction denies the absoluteness of structure and opens it. Human beings obtain the ecological subject when they maintain a true relationship with nature. This subject listens carefully to the voice of nature, and being˝a subject as a body˝or˝a subject as the unconscious,˝recovers the true nature of nature. In the end, the subject and the other can begin conversation and human beings get joined together with nature in the true sense. In short, the language of fiction helps us to break the ideology and understand nature.
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UCI(KEPA) : I410-ECN-0101-2017-810-000973592