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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2000.6
- 수록면
- 205 - 226 (22page)
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Shakespeare's romantic comedies has traditionally been thought to have the traits that are love, happiness, and improbable events, and that derive from Medieval romances. However, the romantic imagination represented in Shakespeare's comedies is based not only on fantastic and unrealistic satisfaction but on innovative and ideal willingness to change the established order and conventions as we can see in the 19th century romanticism. Shakespeare's early comedies such as A Midsummer Night's Dream and As You Like It considerably imitate Medieval romantic features by representing the supernatural and unrealistic elements that result in happy and comic society. But Shakespeare's imagination shows change as it develops into the middle. As the comedies develop, the romantic elements of Medieval romances decrease while the romantic elements of 19th century romanticism increase.
The aim of this study is to explore the romantic imagination represented in Twelfth Night which was written right before the great tragedies. In Twelfth Night, we can find an actual willingness that seeks for better society, mocking and ridiculing the irrational and foolish existing society instead of an unrealistic and illusory reconciliation obtained by external powers. The fruits of love overcome the elements of oppression such as social position and order, and the making fun of the self-centered ideology and hypocrisy clearly allude the real body of romantic imagination in the play. The festive patterns that C. L. Barber think of as the main elements in Twelfth Night and Shakespeare's other comedies also serve to embody the romantic imagination.
Twelfth Night is somewhat different from other early romantic comedies in the sense that its romantic elements serve to reveal the actual energy and willingness to change the established society. The energy and power which transforms the established society into the comic and better society comes not from the accidental or supernatural beings but from the main characters. In the romantic and festive world of Twelfth Night, the ones who initiate and plan the main events are Viola and Maria, who are women and servants. They are not the characters who excrete their desire in fantasy like Malvolio. They are the characters who have the willingness and wisdom to change their lives. The energy to bring the reconciliation and harmony in the play comes from the low class, and it enables them to raise their social positions. In conclusion, Twelfth Night mainly shows that individual's energy and ability can change the established pattern of order.
The aim of this study is to explore the romantic imagination represented in Twelfth Night which was written right before the great tragedies. In Twelfth Night, we can find an actual willingness that seeks for better society, mocking and ridiculing the irrational and foolish existing society instead of an unrealistic and illusory reconciliation obtained by external powers. The fruits of love overcome the elements of oppression such as social position and order, and the making fun of the self-centered ideology and hypocrisy clearly allude the real body of romantic imagination in the play. The festive patterns that C. L. Barber think of as the main elements in Twelfth Night and Shakespeare's other comedies also serve to embody the romantic imagination.
Twelfth Night is somewhat different from other early romantic comedies in the sense that its romantic elements serve to reveal the actual energy and willingness to change the established society. The energy and power which transforms the established society into the comic and better society comes not from the accidental or supernatural beings but from the main characters. In the romantic and festive world of Twelfth Night, the ones who initiate and plan the main events are Viola and Maria, who are women and servants. They are not the characters who excrete their desire in fantasy like Malvolio. They are the characters who have the willingness and wisdom to change their lives. The energy to bring the reconciliation and harmony in the play comes from the low class, and it enables them to raise their social positions. In conclusion, Twelfth Night mainly shows that individual's energy and ability can change the established pattern of order.
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