지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2010.6
- 수록면
- 209 - 235 (27page)
이용수
초록· 키워드
오류제보하기
The purpose of this study is to explore the space of island or strange place represented in Shakespeare’s tragic and comic worlds. Especially, it will be studied how the dual perspectives of island as an isolated and romantic space are represented in Shakespeare’s literary world. Island or strange place sets the most effective space that portrays the tragic reality and the romantic ideal. In the tragic world of Othello, the meaning of the tragic space of island will be inspected by comparing Cyprus with the main land of Venice. In the comic world, the strange space of Ilyria of The Twelfth Night and Caliban's island of The Tempest will be treated.
Cyprus of Othello is the isolated space from the mainland of Venice, the space of military strategy. It is a frontier area which detects the enemy’s move, and also a very dangerous space which is vulnerable at the enemy's invasion by sea. Furthermore, as Cyprus is separated from the mainland, it is the space comparatively free from the control of the power and the law. Therefore, it’s the space that reflects the desperate reality, and also the space that awakes instinctive desires of human being. It is the space where Iago’s betrayal and wicked intrigue are activated, and the space where Othello’s hidden jealousy and wildness arise, and finally the space of death which results in pain and destruction.
On the contrary, the strange spaces in comedies are portrayed as mysterious but ideal spaces, where the troubled save their lives and realize their desires. Illyria in The Twelfth Night is the romantic space where Viola saves her life and gets her love by means of disguise. We can find the confusion of gender role and hierarchical order in the romantic space of Illyria. The island of The Tempest is also portrayed as a romantic space of life where the exiled Prospero and Miranda arrive and achieve their desires. It is a supernatural space where we meet witch, fairy, monster, and wizard. But Prospero’s control of the island and Caliban’s resistance reflect the colonial desire of the European and the critical perspective of such an idea. Therefore, the reality of island space in comedies is not ideal. In the romantic comic space of The Tempest, we can find hate, conflict, greed, and despair. Only the ideal vision for change, fortune, love, and happiness exist beyond the unfortunate reality.
Cyprus of Othello is the isolated space from the mainland of Venice, the space of military strategy. It is a frontier area which detects the enemy’s move, and also a very dangerous space which is vulnerable at the enemy's invasion by sea. Furthermore, as Cyprus is separated from the mainland, it is the space comparatively free from the control of the power and the law. Therefore, it’s the space that reflects the desperate reality, and also the space that awakes instinctive desires of human being. It is the space where Iago’s betrayal and wicked intrigue are activated, and the space where Othello’s hidden jealousy and wildness arise, and finally the space of death which results in pain and destruction.
On the contrary, the strange spaces in comedies are portrayed as mysterious but ideal spaces, where the troubled save their lives and realize their desires. Illyria in The Twelfth Night is the romantic space where Viola saves her life and gets her love by means of disguise. We can find the confusion of gender role and hierarchical order in the romantic space of Illyria. The island of The Tempest is also portrayed as a romantic space of life where the exiled Prospero and Miranda arrive and achieve their desires. It is a supernatural space where we meet witch, fairy, monster, and wizard. But Prospero’s control of the island and Caliban’s resistance reflect the colonial desire of the European and the critical perspective of such an idea. Therefore, the reality of island space in comedies is not ideal. In the romantic comic space of The Tempest, we can find hate, conflict, greed, and despair. Only the ideal vision for change, fortune, love, and happiness exist beyond the unfortunate reality.
목차
Ⅰ.
Ⅱ. 사이프러스: 야만과 죽음의 공간
Ⅲ. 일리리어: 구원과 욕망실현의 공간
Ⅳ. 캘리밴의 섬 : 지배와 저항의 공간
Ⅴ
인용문헌
Abstract
참고문헌 (25)
참고문헌 신청
1. [단행본] - Bartels, Emily C / 1993 / Spectacles of Strangeness: Imperialism, Alienation, and Marlowe / University of Pennsylvania Press
2. [단행본] - Brown, Paul / 1985 / ‘This thing of darkness I acknowledge mine’: The Tempest and the discourse of colonialism in Political Shakespeare New Essays in Cultural Materialism / Manchester UP : 48 ~ 71
3. [단행본] - Cohen, Derek / 1988 / Shakespearean Motives / Macmillan
4. [단행본] - Frye, Northrop / 1971 / Anatomy of Criticism / Princeton UP
5. [학술지(정기간행물)] - Fuchs, Barbara / 1997 / Conquering Islands: Contextualizing The Tempest / Shakespeare Quarterly 48 (1) : 45 ~ 62
2. [단행본] - Brown, Paul / 1985 / ‘This thing of darkness I acknowledge mine’: The Tempest and the discourse of colonialism in Political Shakespeare New Essays in Cultural Materialism / Manchester UP : 48 ~ 71
3. [단행본] - Cohen, Derek / 1988 / Shakespearean Motives / Macmillan
4. [단행본] - Frye, Northrop / 1971 / Anatomy of Criticism / Princeton UP
5. [학술지(정기간행물)] - Fuchs, Barbara / 1997 / Conquering Islands: Contextualizing The Tempest / Shakespeare Quarterly 48 (1) : 45 ~ 62
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
공간과 예술, 몸 : 탈신체화와 재신체화
새한영어영문학
2008 .02
-
사유할 수 없는 미래/도시를 그리는 방법 - 박민규의 <핑퐁>을 중심으로
도시인문학연구
2017 .01
-
황순원 단편소설에 나타나는 공간 연구
구보학보
2018 .01
-
한국 현대시에 나타난 섬의 공간 및 그 의미
도서문화
2013 .12
-
낭만적 상상력과『십이야』
Shakespeare Review
2000 .06
-
1960-70년대 소설에 나타난 공간의 문화정치학 : 최일남․이동하․최인호의 소설을 중심으로
어문학
2009 .03
-
제3의 공간으로서의 카페 : 스페이스 마케팅의 관점
주관성 연구
2008 .06
-
고전소설에 나타난 사찰공간의 실상과 활용양상
우리말글
2003 .12
-
Spatial Relativity on The Great Gatsby and About Time
신영어영문학
2016 .02
-
HK사업의 성과와 과제 - 섬의 인문학 : 공간인식 패러다임의 문명사적 전환 -
도서문화
2018 .06
-
근대의 자연 공간과 인식 공간
철학연구
2010 .12
-
〈심청전〉의 空間 問題와 理念의 機能
어문학
2007 .03
-
정현종의 『사물의 꿈』에 나타나는 시어(詩語) ‘사이’ 연구 : 들뢰즈와 가타리의 리좀적 사유를 중심으로
국어국문학
2016 .03
-
<雲英傳>에 나타난 공간 배경의 의미
우리말글
2005 .04
-
인간에게 공간이란 무엇인가?
새한영어영문학회 학술발표회 논문집
2007 .08
-
인간에게 공간이란 무엇인가?
새한영어영문학회 학술발표회 논문집
2007 .08
-
Othello의 비극적 사랑
Shakespeare Review
1987 .08
-
“空间转向”与叙事空间
중국학논총
2020 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
콜리지의 이아고 : "동기 없는 악", 혹은 "지성 속의 모든 의지"
이경옥
Shakespeare Review
2009
.12
최근 『오셀로』 영상 작품과 인종주의 문제 : 삭스의 『오셀로』와 넬슨의 『오』를 중심으로
강석주
Shakespeare Review
2004
.09
『햄릿』: 여성에 대한 남성의 종속
문강희
Shakespeare Review
2007
.12
타자로서의 오셀로
정해룡
Shakespeare Review
2005
.09
“왜 그녀를 창녀라고 부르는 거죠?” : 새로 쓰는 『오셀로』, 폴라 보겔의 『데스데모나 : 손수건에 대한 극』
김희진
Shakespeare Review
2005
.09
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2012-840-003888587