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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2007.6
- 수록면
- 375 - 395 (21page)
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The sixteenth and seventeenth century Europe suffered from the deep and drastic changes caused by the Reformation, the effects of which reached into the political, social, and cultural spheres in a full-scale. Though England is an anomalous case of the Reformation, she gradually transformed into a reformed nation. Living in an important period of the Reformation, Shakespeare (1564-1616) was a product of this turbulent age and also one of the most representative dramatists who contributed to the shaping of the age.
This paper aims to respond to the following questions. How does Shakespeare address and redress the Protestant discourse and rhetoric? In what way does he examine and respond to the conflicts and contradictions raised by the Reformation by means of his drama? For this discussion I took Hamlet as a case study not only because this play was written when the playwright came to maturity in his career but also because his concern with conflicts and contradictions raised by the Reformation was intensively projected in it not to mention his interest in the doctrinal matters of the old and new religions. This paper investigates topics such as inwardness, the Protestant concept of repentance, human depravity, and providence together with other issues of the religions related to ceremony and ghost found in the play in the immediate context of the English Reformation.
Shakespeare did not give support to any specific religious sect but lived a highly engaged life as a dramatist addressing himself to conflicting religious matters of the time. Read in the immediate historical context, Hamlet is understood as one of the best efforts of the dramatist who negotiated with and intervened in conflicts and contradictions between the old and new religions contributing to the making of the mainstream of the English Reformation which would eventually prevail in the England to come.
This paper aims to respond to the following questions. How does Shakespeare address and redress the Protestant discourse and rhetoric? In what way does he examine and respond to the conflicts and contradictions raised by the Reformation by means of his drama? For this discussion I took Hamlet as a case study not only because this play was written when the playwright came to maturity in his career but also because his concern with conflicts and contradictions raised by the Reformation was intensively projected in it not to mention his interest in the doctrinal matters of the old and new religions. This paper investigates topics such as inwardness, the Protestant concept of repentance, human depravity, and providence together with other issues of the religions related to ceremony and ghost found in the play in the immediate context of the English Reformation.
Shakespeare did not give support to any specific religious sect but lived a highly engaged life as a dramatist addressing himself to conflicting religious matters of the time. Read in the immediate historical context, Hamlet is understood as one of the best efforts of the dramatist who negotiated with and intervened in conflicts and contradictions between the old and new religions contributing to the making of the mainstream of the English Reformation which would eventually prevail in the England to come.
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참고문헌 (17)
참고문헌 신청
1. [학술지(정기간행물)] - 윤희억 / 1998 / 햄릿의 유령. 34 : 195 ~ 213
2. [학술지(정기간행물)] - Armstrong, Alan / 1996 / Editor's Preface 5 (1) : i ~ iv
3. [학술지(정기간행물)] - Collins / 1989 / Where's the History in the New Literary Historicism The Case of the English Renaissance Annals of Scholarship 6 : 231 ~ 44
4. [학술지(정기간행물)] - Diehl, Huston / 1997. / Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England
5. [학술지(정기간행물)] - / 2002. / Religion and Shakespearean Tragedy." The Cambridge Companion to Shakespearean Tragedy : 86 ~ 102
2. [학술지(정기간행물)] - Armstrong, Alan / 1996 / Editor's Preface 5 (1) : i ~ iv
3. [학술지(정기간행물)] - Collins / 1989 / Where's the History in the New Literary Historicism The Case of the English Renaissance Annals of Scholarship 6 : 231 ~ 44
4. [학술지(정기간행물)] - Diehl, Huston / 1997. / Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England
5. [학술지(정기간행물)] - / 2002. / Religion and Shakespearean Tragedy." The Cambridge Companion to Shakespearean Tragedy : 86 ~ 102
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