지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In this research we want to know how to change a way of constructing her own world of female subject in jung yeon hee’s novel. Based on gender ideology 6,70’s patriarchal norms, institutions and culture in relationship with a woman do not identify with the dominant ideology in the world to build self-configuring, and whether the principal wanted to be identified.
The initial works including 「paryusang」 and 『thirsty trees』 showed the defiance and attack for woman oppressed by the ruling control. In these works, the author represented a nun of apostasy owing to doubt the god’ saving. She drew womans’ exceptional decision choosing a emotional love instead of moral justification. This female subject’s desire to actively defend and criticize the reality of sexually discriminated.
But in the works writting after the middle of 60’s, a serious change was appeared. Through the works author used a strategy. she had a command of alibi and paradox. 『seokneo』, 「freedom of locked」 are the featuring works of that strategy. Come with an alibi and the paradox, she protected from the rulers eyes. and preserved their world. under these disguised mask it made a crack patriarchic moral and system. In this works self-staring and internalization were get strong which operated meaning of language and usual senses of language were capsized.
The reason for making use of this complicated strategy is a fear with the ruling ideology. Author could not help recognizing it was impossible to fight the patriarchic world no more.
The fear that made change to disguised mask intensified futhermore in 70’s works. Woman incorporated into ruling ideology and internalized law of reality. In 『snail looking forward to rain』, woman regret on her desire for love as a bad passion betrays god’s will. She confessed her sin to god and asked a pardon. Through the work extraordinary aggression and sadomasochism were appeared. Because of a sense of guilty violates law of god, woman endured pain and insult.
The initial works including 「paryusang」 and 『thirsty trees』 showed the defiance and attack for woman oppressed by the ruling control. In these works, the author represented a nun of apostasy owing to doubt the god’ saving. She drew womans’ exceptional decision choosing a emotional love instead of moral justification. This female subject’s desire to actively defend and criticize the reality of sexually discriminated.
But in the works writting after the middle of 60’s, a serious change was appeared. Through the works author used a strategy. she had a command of alibi and paradox. 『seokneo』, 「freedom of locked」 are the featuring works of that strategy. Come with an alibi and the paradox, she protected from the rulers eyes. and preserved their world. under these disguised mask it made a crack patriarchic moral and system. In this works self-staring and internalization were get strong which operated meaning of language and usual senses of language were capsized.
The reason for making use of this complicated strategy is a fear with the ruling ideology. Author could not help recognizing it was impossible to fight the patriarchic world no more.
The fear that made change to disguised mask intensified futhermore in 70’s works. Woman incorporated into ruling ideology and internalized law of reality. In 『snail looking forward to rain』, woman regret on her desire for love as a bad passion betrays god’s will. She confessed her sin to god and asked a pardon. Through the work extraordinary aggression and sadomasochism were appeared. Because of a sense of guilty violates law of god, woman endured pain and insult.
목차
1. 들어가며
2. 프로메테우스적 욕망과 ‘자기세계’ 구축의 저돌성
3. 역설과 알리바이, ‘자기세계’ 보존의 현실적 전략
4. 자학적 나르시시즘과 지배구조로의 편입
5. 결론
【참고문헌】
【Abstract】
참고문헌 (28)
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