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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국비평문학회 비평문학 비평문학 제32호
발행연도
2009.6
수록면
305 - 327 (23page)

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초록· 키워드

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Tongyeong is Park Kyung-Ni’s hometown. It is a port city including lots of islands. Among Park’s works, works whose backgrounds are Tongyeaong or another small port city have something in common. Representative works featuring the spatial features of Tongyeong include 〈Sad Song〉, 〈The Daughters of Kim’s Pharmacy〉, 〈A Seasonal Fish Market〉 and 〈The Era of Fantasy〉.
To begin with, that quiet and small city, whether it is located on the coast or not, features unrealistic, dreamlike sceneries. Due to such dreamlike characteristics, characters feel comfortable in that city. They, however, get confused as social taboos fail to work. Main characters suffer great pains caused by betrayal, marriage without love, being a virtual prisoner in one’s own home and suicide. The most noteworthy thing, however, is the relationships associated with incest. This is shown through a male character having affair with his sister in law, a female character who gets married to her father’s friend, and a female character who receives a confession from her boy friend father’s that he loves her. Main characters do not stop their love, though it is considered unethical. They unreasonably pursue their love to the end, making them or others miserable.
The works whose background reminds readers Park’s hometown show the author’s desire to fill her deficiency in her unconsciousness. Tongyeong which features dreamlike aura produces predominantly unrealistic atmosphere. In addition, unreasonable and unethical incidents take place there. This is unconsciously expressed in Park’s works whose background is Tongyeong. In those works, the author tells of her sad experiences involving her father and shows her pain over her husband’s death during the war.

목차

1. 문제 제기
2. 현실 이탈의 몽환적 이미지
3. 일시적인 혹은 영원한 피안의 세계
4. 좌절된 현실과 금기 파괴의 상상력
5. 남은 과제들
【참고문헌】
【Abstract】

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