지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
I have observed the forms of Koguryo's roof-end tiles with the combination of lotus and other designs. I classified them into four groups according to me shapes of central design, composite designs, and a ovary.
Central design of roof-end tiles with me combination of lotus and other designs is lotus bud. In central design, there's not much difference between these roof-end tiles and the earlier roof-end tiles with dividing lines. The contour of central design is the same form as me dividing line of earlier roof-end tiles. This contour has the shape of a lotus bud in which its upper pan is broad and its lower part is narrow. In contrast, those of earlier roof-end tiles have the shape of an apricot stone in which their upper parts are narrow and their lower part are broad. Therefore, boat type lotus flowers, I think, coincided with me appearance of this new contour.
Composite designs of roof-end tiles with me combination of lotus and other designs have pistils or stamens (a pistil or stamen) on bam sides divided a rising line. The number of pistils and stamens on one side had been reduced from two to one, then they disappeared.
The ovary take several forms: me form having one winding line around a domed ovary with a circle design, the form having one winding line around a domed ovary without a circle design, me form having several designs within a ovary.
According to me forms of central design, composite designs, and ovary's shape, I classified the roof-end tiles with the combination of lotus and other designs into 4 groups. Type I has a ovary having one winding line around a domed ovary with a circle design, composite designs represented two pistils (or stamens) on both sides divided a rising line, and the contour around lotus bud. Type I appeared in the mid to later 5th century.
Type Ⅱ has boat type lotus flowers, one winding Line around a domed ovary without a circle design. In case of lotus design roof-end tiles with dividing lines, it was in the mid 5th to early 6th centuries that winding lines around a domed ovary had been decreased from two lines to one line. Thus we could conclude that type II appeared in the same years.
Type Ⅲ reflects changes of ovary shape. In this type, lotus pip design, radial design, etc. were represented within the ovary. As in lotus design roof-end tiles with dividing lines, I think, these changes occurred in the early-to-mid 6th century.
After type Ⅲ, all designs vanished completely from a ovary. In case of lotus design roof-end tiles with dividing lines, these changes in form appeared in the mid to later 6th century. Thus we could think type Ⅳ-1 was in vogue in the same years. Then roof-end tiles with the combination of lotus and other designs vanished completely. It implied that the tradition of Koguryo were destroyed. I classified these changes into type Ⅳ-2. Therefore we could conclude that type Ⅳ-2 appeared in the 7th century.
Central design of roof-end tiles with me combination of lotus and other designs is lotus bud. In central design, there's not much difference between these roof-end tiles and the earlier roof-end tiles with dividing lines. The contour of central design is the same form as me dividing line of earlier roof-end tiles. This contour has the shape of a lotus bud in which its upper pan is broad and its lower part is narrow. In contrast, those of earlier roof-end tiles have the shape of an apricot stone in which their upper parts are narrow and their lower part are broad. Therefore, boat type lotus flowers, I think, coincided with me appearance of this new contour.
Composite designs of roof-end tiles with me combination of lotus and other designs have pistils or stamens (a pistil or stamen) on bam sides divided a rising line. The number of pistils and stamens on one side had been reduced from two to one, then they disappeared.
The ovary take several forms: me form having one winding line around a domed ovary with a circle design, the form having one winding line around a domed ovary without a circle design, me form having several designs within a ovary.
According to me forms of central design, composite designs, and ovary's shape, I classified the roof-end tiles with the combination of lotus and other designs into 4 groups. Type I has a ovary having one winding line around a domed ovary with a circle design, composite designs represented two pistils (or stamens) on both sides divided a rising line, and the contour around lotus bud. Type I appeared in the mid to later 5th century.
Type Ⅱ has boat type lotus flowers, one winding Line around a domed ovary without a circle design. In case of lotus design roof-end tiles with dividing lines, it was in the mid 5th to early 6th centuries that winding lines around a domed ovary had been decreased from two lines to one line. Thus we could conclude that type II appeared in the same years.
Type Ⅲ reflects changes of ovary shape. In this type, lotus pip design, radial design, etc. were represented within the ovary. As in lotus design roof-end tiles with dividing lines, I think, these changes occurred in the early-to-mid 6th century.
After type Ⅲ, all designs vanished completely from a ovary. In case of lotus design roof-end tiles with dividing lines, these changes in form appeared in the mid to later 6th century. Thus we could think type Ⅳ-1 was in vogue in the same years. Then roof-end tiles with the combination of lotus and other designs vanished completely. It implied that the tradition of Koguryo were destroyed. I classified these changes into type Ⅳ-2. Therefore we could conclude that type Ⅳ-2 appeared in the 7th century.
목차
Ⅰ. 머리말
Ⅱ. 연화복합문 와당의 문양 형태와 그 분석
Ⅲ. 연화복합문 와당의 형식 분류와 유물 검토
Ⅳ. 연화복합문 와당의 상대편년
Ⅴ. 맺음말
〈Abstract〉
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UCI(KEPA) : I410-ECN-0101-2009-911-019465955