지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Akira Kurosawa' s 〈Rashomon〉 has multi-level narration structure as well as multiple narration structure. “multiple” means the narration structure has some levels of narrations and that is hierarchal, while “multiple” means there are multiple narrators in one work. As known, the theme of 〈Rashomon〉 can be told 'the relativity of truth' and it can be deduced from the multiple narration structure by which spectators can compare with one another.
In fact, Kurosawa' s 〈Rashomon〉 has 6 different narrators who are in diegesis: the bandit, the medium(the husband), the wife, the woodcutter, the priest and the policeman . In addition, the narration structure is constructed with 3 hierarchal levels unlike Ryunosuke Akutagawa' s original story 〈In a Grove〉 nor 〈Rashomon〉; the 1st level narrated by invisible narrator who is out of diegesis, the 2nd level narrated by the woodcutter and the priest in “Rashomon”, and the 3rd level narrated by the woodcutter, the priest, the policeman, the bandit, the medium(the husband), and the wife in the court.
In Kurosawa's 〈Rashomon〉, the theme is strengthened by multi-level narration structure. In the 3rd level, the stories by the bandit, the wife, and the husband would rather reveal each character' s position than the events itself. Their stories are juxtaposed and the differences are compared in the 2nd level. It makes a kind of controversy on the truth about the murder and rape in the grove. It is in the 1st level that the woodcutter' s witness is added through which the controversy become more serious. Besides, the argument among the woodcutter, the priest, and the commoner and the event surrounding an abandoned child is narrated in the 1st level. The controversy is overlapped in this way and the theme is strengthened by that.
The narrative unfolded effectively is due to the multi-level narration structure, too. Some of the narrators in the 3rd level(the woodcutter, the priest and the policeman) seem to function as if they present "former statement" like a "katsuben" during Japanese silent film era. The story-teller(the woodcutter and the priest) and the hearer(the commoner) in the 2nd level control the speed or tempo of the narrative which is related with the murder and rape in the grove through their conversation with one another.
In fact, Kurosawa' s 〈Rashomon〉 has 6 different narrators who are in diegesis: the bandit, the medium(the husband), the wife, the woodcutter, the priest and the policeman . In addition, the narration structure is constructed with 3 hierarchal levels unlike Ryunosuke Akutagawa' s original story 〈In a Grove〉 nor 〈Rashomon〉; the 1st level narrated by invisible narrator who is out of diegesis, the 2nd level narrated by the woodcutter and the priest in “Rashomon”, and the 3rd level narrated by the woodcutter, the priest, the policeman, the bandit, the medium(the husband), and the wife in the court.
In Kurosawa's 〈Rashomon〉, the theme is strengthened by multi-level narration structure. In the 3rd level, the stories by the bandit, the wife, and the husband would rather reveal each character' s position than the events itself. Their stories are juxtaposed and the differences are compared in the 2nd level. It makes a kind of controversy on the truth about the murder and rape in the grove. It is in the 1st level that the woodcutter' s witness is added through which the controversy become more serious. Besides, the argument among the woodcutter, the priest, and the commoner and the event surrounding an abandoned child is narrated in the 1st level. The controversy is overlapped in this way and the theme is strengthened by that.
The narrative unfolded effectively is due to the multi-level narration structure, too. Some of the narrators in the 3rd level(the woodcutter, the priest and the policeman) seem to function as if they present "former statement" like a "katsuben" during Japanese silent film era. The story-teller(the woodcutter and the priest) and the hearer(the commoner) in the 2nd level control the speed or tempo of the narrative which is related with the murder and rape in the grove through their conversation with one another.
목차
1. 들어가는 말
2. 서술 층위의 위계 구조
3. 영화〈라쇼몽〉의 서술 구조
4. 다층적 서술 층위의 기능
5. 맺음말
참고문헌
Abstract
참고문헌 (0)
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