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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The purpose of this study was to investigate Park Kyung-ni's literary and world views reflected in her novels whose protagonists were novelists, which include My Heart Is A Lake(〈내 마음은 호수〉), The Eternal Partner(〈영원한 반려〉), and Winter Rain(〈겨울비〉). Novels whose protagonists are novelists are called 'novelist-novels,' which term was derived from 'artist-novels.' Artist-novels deal with the protagonist artists' missions, creations and issued regarding their reality and society.
In Korean literature, novelist-novels used to be categorized as autobiographical novels where the authors' personal experiences were presented first-hand after the early modern days. But the case of Park begs to differ from the tendency. It's true that her main characters are novelists, but she sets different environments and situations from hers to emphasize that they are, after all, fictional characters. But her novelist-novels are still enough to examine her own experiences and literary and world views.
Among the three novels, Winter Rain turned out to be the closest to the definition of an 'artist-novel' with My Heart Is A Lake having the longest distance from it. In face, My Heart Is A Lake is closer to a romance novel. At the same time, Park depicted the character of an individual with political positions with emphasis as she went through the 4ㆍ19 Revolution while writing the novel. In the novels, she described novelists as artists that failed to adapt to the ordinary everyday life and the reality with self-interest instead of regarding them as 'literary men' who had social reputations to protect and responsibilities to take. The novels also reveal her highly critical views of those literary men who acted as if they were celebrities in the name of authors and the climate of the literary society that gossiped about female authors.
In Korean literature, novelist-novels used to be categorized as autobiographical novels where the authors' personal experiences were presented first-hand after the early modern days. But the case of Park begs to differ from the tendency. It's true that her main characters are novelists, but she sets different environments and situations from hers to emphasize that they are, after all, fictional characters. But her novelist-novels are still enough to examine her own experiences and literary and world views.
Among the three novels, Winter Rain turned out to be the closest to the definition of an 'artist-novel' with My Heart Is A Lake having the longest distance from it. In face, My Heart Is A Lake is closer to a romance novel. At the same time, Park depicted the character of an individual with political positions with emphasis as she went through the 4ㆍ19 Revolution while writing the novel. In the novels, she described novelists as artists that failed to adapt to the ordinary everyday life and the reality with self-interest instead of regarding them as 'literary men' who had social reputations to protect and responsibilities to take. The novels also reveal her highly critical views of those literary men who acted as if they were celebrities in the name of authors and the climate of the literary society that gossiped about female authors.
목차
1. 서론
2. 정치적 현실의 불안과 문학의 무용(無用)
3. 자본주의적 속물성과 대립하는 작가의 개성
4. 고독, 예술가로서의 선택적 고립
5. 결론
참고문헌
〈Abstract〉
참고문헌 (32)
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