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This study examines bipolar and contradictory elements in James Dickey's literary theory and works. There is no doubt that Dickey's imagination was profoundly affected by the dualistic point of view elicited from his various personal experiences and from his religious and academic background. This study deals with his poems and novels in which spiritual and transcendental force shows its co-existence with sensual physical life, which Dickey presents by emphasizing primal creative forces. Dickey features a world where the dark facets of life as a physical creature-pain, aging, and death--coexist with the light aspects of life.
Dickey declares that it is poet's "privilege to look at a subject from two opposite standpoints." This statement reflects his belief that only through full knowledge of the "contraries" can life be fully comprehended. Consequently, situations or emotional states in Dickey's poems are seldom characterized by one overpowering sensation but present "a mixture of contradictory forces." Ernest Suarez labels Dickey as "a maze of contradictions." Nonetheless, Dickey also shows that man can spiritually transcend the physical boundaries between the contradictory forces by means of love--in Dickey's word, "kindness," rebirth, transformation, reincarnation, and rejuvenation through exchange with "the other."
After all, Dickey views the dualities of existence as necessary components to the whole of life. Dickey argues that the poetic process is a kind of "personal connection of very disparate elements under the fusing heat of the poem's necessity, so that they create the illusion of belonging together and illuminate each other by providing an insight by association."
Dickey declares that it is poet's "privilege to look at a subject from two opposite standpoints." This statement reflects his belief that only through full knowledge of the "contraries" can life be fully comprehended. Consequently, situations or emotional states in Dickey's poems are seldom characterized by one overpowering sensation but present "a mixture of contradictory forces." Ernest Suarez labels Dickey as "a maze of contradictions." Nonetheless, Dickey also shows that man can spiritually transcend the physical boundaries between the contradictory forces by means of love--in Dickey's word, "kindness," rebirth, transformation, reincarnation, and rejuvenation through exchange with "the other."
After all, Dickey views the dualities of existence as necessary components to the whole of life. Dickey argues that the poetic process is a kind of "personal connection of very disparate elements under the fusing heat of the poem's necessity, so that they create the illusion of belonging together and illuminate each other by providing an insight by association."
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