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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국시학회 한국시학연구 한국시학연구 제9호
발행연도
2003.11
수록면
207 - 242 (36page)

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초록· 키워드

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The poem written by Jung Ji Yong shows change of time attribute in process transformed to poem revealing scenery and pictures through the early and middle of religious poetry world. In the change, a metaphorical change of recognition become motive.
His early works reconstructed the past by metaphorically cognizance. That is to say, the past and present came to continuous time systematically, and formed through metaphorically cognizance. Sensuous description , one of the early poetry characteristic is realized by attempt reconstructed continuous time to the present. In the basis of these figure, an attitude that understanding metaphor comes into motive. In middle poetry, it shows eternity rising above the past or present. The time of eternity means timeless situation above past, present and future. Eternity becomes to recognition about speaker's world filled faith. so, it can express through a simple symbol. Accordingly, a metaphorical recognition that is different from the early poetry stands in the base. But, the reality of Japanese imperialism age is realized that reconstruction having in the early poetry is impossible. Also, the middle poetry seems to be in a transition. Finally, Jung Ji Yong creates another world about real world. That is, in the latter half of the year, changing time attribute, it comes to metonymy recognition looked timeless situation. In the under the rule of Japanese imperialism, another world indicated scenery forms a part of the realization of a positive and subjective self and is the world of metonymy figure made by will of seclusion. Jung Ji Yong appreciates another world having timeless through metonymy yielding principle of contiguity.
In the poetry of the latter term, however, timeless and metonymy recognition exhibit the limitation coexisting with metaphorical recognition. This is confirmed that Jung Ji Yong intended the real time lastingly. A metonymy recognition of the time attribute assumes an aspect that doesn't make deeper poetic figure.

목차

1. 서론
2. 지속의 시간과 영원성 - 초ㆍ중기시의 은유적 세계 인식
3. 시간의 無化 - 후기시의 환유적 세계 인식
4. 결론
참고문헌
Abstract

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