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초록· 키워드
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The purpose of this paper is to show 'Kyungaesi' (poetry including the traits of boundary), that is, the idealistic form of poetry, which can be led by studying prose poetry, one of the contemporary poetry forms. Therefore, this study has dealt with three main poets' works that have shown the occurrence of prosaic expression in poetry, an important element consisting of prose poetry and represented a turning point in Korean literature history. They are Joo, Yo-Han(the 1910's-1920's), Lim, Wha(the 1920's-1930's), and Kim, Soo-Young(the 1950's-1960's).
Firstly, Joo, Yo-Han's poetry considering the first modern lyric poems in the late 1910's in Korean literature history practiced release of emotion and language. By pursing 'new form in poetry', he showed 'Yurosung'(the tremendous abundance in emotion and poetic words) in the beginning of the colonial period, the tine that the old era of the 1910's-1920's was gone and new period started.
Secondly, in the example of Lim, Wha(the 1920's-1930's), we can also see a wide range of characteristics of boundary. Written as form of letters, Lim's poetry have shown the boundaries between present and dream, ideal and reality, present and past. Especially, as he was the member of KAPF, Lim made his poems the method to propagandize for KAPF. As a result, Lim was naturally able to achieve successful 'Kyungaesi' by the occurrence of prosaic expression in poetry.
Lastly, Kim, Soo-Young (the 1950's) realized the mixed phenomenon by the mixture of the occurrence of prosaic and versified expression in poetry. Thus, this awareness enabled him to form an idea of 'Kyungaesi' by expressing both prose and verse characteristics in a piece of poetry, Kim also produced 'Chamyusi'(realistic poetry) showing the avant-garde traits. In addition, this formal appearance of poetry by the occurrence of prosaic expression in poetry generated aphorism in his works and provide Korean literature history with the poetry which was mixed the avant-garde and aphorism properly.
Consequently, the main characteristics of 'Kyungaesi' are as follows; 'Yurosung'(as in the examples of Joo, Yo-Han's works), a characteristic of literary channel as a turning point by ordinary characters (as in Lim, Wha's works), criticism of reality by the avant-garde characteristics and aphorism(as in Kim, Soo-Young's works). In conclusion, there is no little doubt that 'Kyungaesi' is the most comtemporary poetry form.
Firstly, Joo, Yo-Han's poetry considering the first modern lyric poems in the late 1910's in Korean literature history practiced release of emotion and language. By pursing 'new form in poetry', he showed 'Yurosung'(the tremendous abundance in emotion and poetic words) in the beginning of the colonial period, the tine that the old era of the 1910's-1920's was gone and new period started.
Secondly, in the example of Lim, Wha(the 1920's-1930's), we can also see a wide range of characteristics of boundary. Written as form of letters, Lim's poetry have shown the boundaries between present and dream, ideal and reality, present and past. Especially, as he was the member of KAPF, Lim made his poems the method to propagandize for KAPF. As a result, Lim was naturally able to achieve successful 'Kyungaesi' by the occurrence of prosaic expression in poetry.
Lastly, Kim, Soo-Young (the 1950's) realized the mixed phenomenon by the mixture of the occurrence of prosaic and versified expression in poetry. Thus, this awareness enabled him to form an idea of 'Kyungaesi' by expressing both prose and verse characteristics in a piece of poetry, Kim also produced 'Chamyusi'(realistic poetry) showing the avant-garde traits. In addition, this formal appearance of poetry by the occurrence of prosaic expression in poetry generated aphorism in his works and provide Korean literature history with the poetry which was mixed the avant-garde and aphorism properly.
Consequently, the main characteristics of 'Kyungaesi' are as follows; 'Yurosung'(as in the examples of Joo, Yo-Han's works), a characteristic of literary channel as a turning point by ordinary characters (as in Lim, Wha's works), criticism of reality by the avant-garde characteristics and aphorism(as in Kim, Soo-Young's works). In conclusion, there is no little doubt that 'Kyungaesi' is the most comtemporary poetry form.
목차
1. 문제제기
2. 산문적 발화의 시 고찰
3. 산문적 발화의 의미와 특성
4. 결어
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