지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The calligraphy style of Zhao Mengfu(趙孟? or Zhao Songxue 松雪 1254-1322) became prevailing once it was introduced toward the end of Goryeo Dynasty in that it was proper to express the consciousness and the spiritual state of the new generation of scholarly aristocrats whose philosophy and principles were based on the rationalist Neo-Confucianism of Chu Hsi (Zhu Xi 朱熹).
Lee, Am (1297~1364), who served during the rein of Choongnyulwang and Gongminwang was a scholarly aristocrat of the era. He was famous for his military tactics and was also a prominent poet and a great master of Songxue Style Calligraphy (松雪體). He served as a government official and disciplined his descendants based on Confucius moral and integrity. After he retired he associated with Buddhist Monks and tried to be free from the worldly fame and wealth. He had a deep understanding of Confucianism, Buddhism and Taoism and he is the author of 'the History of Dangun Chosun(檀君世紀), of the ancient Korea founded by Dangun.
The Songxue Calligraphy Style which Lee was good at was introduced to Goryeo at three different times. First by the young scholarly aristocrats of Royal Academy (萬卷堂) and the second, when 忠宣王 1275~1325 returned from Yuan[元]. Finally when 'The Princess of Yuan[元]' came to Goryeo to marry a Korean King, Gongminwang.
His Magnum Opus is an inscription on a stele-〈문수사장경비〉 or 〈文殊院藏經碑〉 at the Munsuwon Temple. The calligraphy of young Lee of only 31 years old could compete with that of Zhao Mengfu. The Zhuansh?[篆書 Seal script] is considered the best from Goryeo Dynasty. The epitaph is important in that it was the first one of Songxue Style. Two poems '奉賀詩' and '滿門桃李詩' found on block books also show Songxue Style although the engravings are not very elaborate. His Xingsh?(行書) and C?osh?(草書inscription of C?o or Grass inscription) are differentiated from the smooth and elegant style of original Songxue Calligraphy in that Lee's was wider.
The famous scrapbook of Lee's writings and pictures-〈송이원귀반곡서첩〉-show a little bit thick and beautiful strokes and other styles, characteristic of Lee's calligraphy. There he also used the calligraphy styles of Wang Xizhi(王羲之) and Ouyang Xun(歐陽詢). As a whole, the book shows the first stage of the new calligraphy style adopted at that time.
The strokes used for〈春雨詩〉 and 〈渡江詩〉 were a little bit thin and strong and reveal Songxue Calligraphy. The poems are presumed to have been written while he was residing in Yuan.
The reason why the Songxue Calligraphy was introduced to Goryeo was that the society needed some momentum. Those who wanted some drastic changes tried to express their aesthetic philosophy. But the society was not fully ready to accept the new trend. More moderate and temperate style of calligraphy was more treasured. Lee, Am is very important as one of the masters of calligraphy of the era who influenced a great deal on the establishment of the new Songxue Style so that it could be developed and bloomed during the next generation of Chosun Dynasty.
Lee, Am (1297~1364), who served during the rein of Choongnyulwang and Gongminwang was a scholarly aristocrat of the era. He was famous for his military tactics and was also a prominent poet and a great master of Songxue Style Calligraphy (松雪體). He served as a government official and disciplined his descendants based on Confucius moral and integrity. After he retired he associated with Buddhist Monks and tried to be free from the worldly fame and wealth. He had a deep understanding of Confucianism, Buddhism and Taoism and he is the author of 'the History of Dangun Chosun(檀君世紀), of the ancient Korea founded by Dangun.
The Songxue Calligraphy Style which Lee was good at was introduced to Goryeo at three different times. First by the young scholarly aristocrats of Royal Academy (萬卷堂) and the second, when 忠宣王 1275~1325 returned from Yuan[元]. Finally when 'The Princess of Yuan[元]' came to Goryeo to marry a Korean King, Gongminwang.
His Magnum Opus is an inscription on a stele-〈문수사장경비〉 or 〈文殊院藏經碑〉 at the Munsuwon Temple. The calligraphy of young Lee of only 31 years old could compete with that of Zhao Mengfu. The Zhuansh?[篆書 Seal script] is considered the best from Goryeo Dynasty. The epitaph is important in that it was the first one of Songxue Style. Two poems '奉賀詩' and '滿門桃李詩' found on block books also show Songxue Style although the engravings are not very elaborate. His Xingsh?(行書) and C?osh?(草書inscription of C?o or Grass inscription) are differentiated from the smooth and elegant style of original Songxue Calligraphy in that Lee's was wider.
The famous scrapbook of Lee's writings and pictures-〈송이원귀반곡서첩〉-show a little bit thick and beautiful strokes and other styles, characteristic of Lee's calligraphy. There he also used the calligraphy styles of Wang Xizhi(王羲之) and Ouyang Xun(歐陽詢). As a whole, the book shows the first stage of the new calligraphy style adopted at that time.
The strokes used for〈春雨詩〉 and 〈渡江詩〉 were a little bit thin and strong and reveal Songxue Calligraphy. The poems are presumed to have been written while he was residing in Yuan.
The reason why the Songxue Calligraphy was introduced to Goryeo was that the society needed some momentum. Those who wanted some drastic changes tried to express their aesthetic philosophy. But the society was not fully ready to accept the new trend. More moderate and temperate style of calligraphy was more treasured. Lee, Am is very important as one of the masters of calligraphy of the era who influenced a great deal on the establishment of the new Songxue Style so that it could be developed and bloomed during the next generation of Chosun Dynasty.
목차
1. 머리말
2. 이암의 생애
3. 서예세계
4. 평가와 의미
5. 맺음말
참고문헌
〈Abstract〉
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
蘇軾의 書藝詩를 통해 본 書藝觀
중국어문학
2016 .01
-
전통서예와 현대캘리그라피 비교 연구
중국어문학논집
2019 .10
-
書論이 書風에 미친 영향 – ‘尙意’書風을 중심으로 –
한국사상과 문화
2008 .01
-
고려 시대의 영남서예
한국학논집
2015 .12
-
蘇東坡의 尙意的 書藝論-한 사대부의 감성 읽기-
역사와 담론
2004 .09
-
Department of Calligraphy
Korea Journal
1967 .11
-
조선 유학자들의 서예인식에 관한 연구
양명학
2018 .04
-
黃庭堅의 書藝詩 硏究
중국어문학
2015 .01
-
《詩品》,《書品》,《畵品》에 나타난 詩·書·畵 품평기준 ‘生命力’에 관한 小考
중국학논총
2013 .01
-
A Comparison of Chinese and Western Calligraphy
Korea Journal
1972 .11
-
‘캘리그라피’의 개념에 대한 시론
문화와 예술연구
2018 .01
-
서예교육의 시대별 변천과정 고찰
한국사상과 문화
2018 .01
-
鄭板橋의 詩書一律 硏究
중국어문학논집
2019 .06
-
禪과 書藝의 상관성 연구
한국사상과 문화
2011 .01
-
秋史 書法正統觀의 筆法的 考察
동양고전연구
2008 .01
-
書體에 나타난 書藝美學 연구 ― 漢字의 書體演變을 중심으로 ―
한국사상과 문화
2009 .01
-
王羲之 中和美學 중심주의와 한국서예 정체성 試探
한국사상과 문화
2015 .01
-
서예(書藝)와 한시(漢詩)
서강인문논총
2007 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-911-014647017