지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Point of sameness of 『Precipice of Mythology』 and 『Blank Map』 is that they are the novels to have will to have to face and resist negative actuality. This will appears into the form of refusal for normal actual order and it is revealed with the method of self－torment for herself who is a part of negative actuality. So, it is revealed as decadent and distorted style. These two novels are forming 3 kinds of meaning classes to be meaning of war, resistance for ruling authority, and prospect toward future.
But, in spite of this point of sameness, these works have each distinction. Then, it means that formalization of female to be seen in work in accordance with the distinction of sex of author is different.
While Jinyoung in 『Precipice of Mythology』 coped with selling her sex actively through going－out to wander about street for earning money for living for a day, Yoon Joo in 『Blank Map』 copes with that two males share her sex passively in the space to be house that patriarchal order exists.
In addition, the discrimination is conspicuous in that these two works are acquiring the prospect nature of post actuality. While Jinyoung in [Precipice of Mythology] acquires ‘art and love' which is her desire, wandering about street as the prospect toward future, [Blank Map] is acquiring prospect with the maternity of Yoonjoo to get out of home.
By this, it can be seen that author set prospect toward future on maternity but that it is the life to premise the sacrifice of female person who will live in postwar poor actuality.
But, in spite of this point of sameness, these works have each distinction. Then, it means that formalization of female to be seen in work in accordance with the distinction of sex of author is different.
While Jinyoung in 『Precipice of Mythology』 coped with selling her sex actively through going－out to wander about street for earning money for living for a day, Yoon Joo in 『Blank Map』 copes with that two males share her sex passively in the space to be house that patriarchal order exists.
In addition, the discrimination is conspicuous in that these two works are acquiring the prospect nature of post actuality. While Jinyoung in [Precipice of Mythology] acquires ‘art and love' which is her desire, wandering about street as the prospect toward future, [Blank Map] is acquiring prospect with the maternity of Yoonjoo to get out of home.
By this, it can be seen that author set prospect toward future on maternity but that it is the life to premise the sacrifice of female person who will live in postwar poor actuality.
목차
1. 들어가며
2. 「암사지도」와 「신화의 단애」의 서사줄거리 비교
3. 외출의 기호와 성의 도구화
4. 전후 현실의 전망
5. 나가며
참고문헌
Abstract
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