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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The traditional folk songs of Jeolado and Kyoungsang namdo, contain a certain type of Sori, based on a text which begins with the word, “Baekochile.”
Owing to resemblance in a tune, we assume that this type of Sori has been transmitted from Kyonggi popular folk song Neunsil-taryoung or Seodo popular folk song Baekot-taryoung.
Identity of this music, however, all of a sudden, came to be our concern. There are two crucial facts that questioned the established view : First, so called, “Baekochile sori” share some texts and characteristics which do not exist in the two present popular folk song. Secondly, the text of Baekot-taryoung, the present Seodo popular folk song, is related to some part of the past Sadangpae’s zatanga(自嘆歌:self-lament song).
In the consequence of our research, we verified that these soris belong to the repertoires performed by Sadangpae, the typical wandering performers’ group in the past. The contributing factors on our decision are as follows : scattered distribution; distinction of an entertainment song rather than that of typical labor song; time of the spread, the features of music which was sung around at the same time in its neighboring areas. Meanwhile, this Sadangpae sori Baekot-taryoung has two versions; old version and new one, however, compared with each other, the former is shorter and simpler than the latter in a tune and a text, also from a musical point of view, it approximates to an archetype than the latter does, therefore, indeed old version may be insisted to be an original source of Baekot-taryoung.
Our interest originates in strong connection between Baekot-taryoung’s old version and soris from Kilgunak tradition. That is to say, Yip(mouse) taryoung like Nanina or the term like Gihwaza appear prevalently in Soris from Kilgunak(military march) tradition. Kilgunak text found in Jindo, displays that Kilgunak remained also in Sadangpae. Above all, during the first half of the Twentieth-century, because of a musical connection between Baekot-taryoung’s old version and Seodo popular folk song “Kilgunak” taryoung, we come to our conclusion that the real name of Baekot-taryoung’s old version may be “Kilgunak.”
This paper proves that Kilgunak, military match, so called, Kilsori - which exists in various genres like instrumental music, folk song, the lyrics etc. - was sung in Sadangpae group aw well. But just as in the case of new version of Baekot-taryoung, characteristics of Kilsori gradually withered while its amusing feature got stronger than before. Along this phenomenon, the function of Sadangpae Kilgunak was changed to simple entertainment song.
Because these Baekot-taryoung soris is deeply related to the present Kyoungki popular folk song Neunsil-taryoung, Seodo popular folk song Baekot-taryoung and Kilgunak, this paper seems to pave the way for picturing the origin and the formation process of the three popular folk songs.
Owing to resemblance in a tune, we assume that this type of Sori has been transmitted from Kyonggi popular folk song Neunsil-taryoung or Seodo popular folk song Baekot-taryoung.
Identity of this music, however, all of a sudden, came to be our concern. There are two crucial facts that questioned the established view : First, so called, “Baekochile sori” share some texts and characteristics which do not exist in the two present popular folk song. Secondly, the text of Baekot-taryoung, the present Seodo popular folk song, is related to some part of the past Sadangpae’s zatanga(自嘆歌:self-lament song).
In the consequence of our research, we verified that these soris belong to the repertoires performed by Sadangpae, the typical wandering performers’ group in the past. The contributing factors on our decision are as follows : scattered distribution; distinction of an entertainment song rather than that of typical labor song; time of the spread, the features of music which was sung around at the same time in its neighboring areas. Meanwhile, this Sadangpae sori Baekot-taryoung has two versions; old version and new one, however, compared with each other, the former is shorter and simpler than the latter in a tune and a text, also from a musical point of view, it approximates to an archetype than the latter does, therefore, indeed old version may be insisted to be an original source of Baekot-taryoung.
Our interest originates in strong connection between Baekot-taryoung’s old version and soris from Kilgunak tradition. That is to say, Yip(mouse) taryoung like Nanina or the term like Gihwaza appear prevalently in Soris from Kilgunak(military march) tradition. Kilgunak text found in Jindo, displays that Kilgunak remained also in Sadangpae. Above all, during the first half of the Twentieth-century, because of a musical connection between Baekot-taryoung’s old version and Seodo popular folk song “Kilgunak” taryoung, we come to our conclusion that the real name of Baekot-taryoung’s old version may be “Kilgunak.”
This paper proves that Kilgunak, military match, so called, Kilsori - which exists in various genres like instrumental music, folk song, the lyrics etc. - was sung in Sadangpae group aw well. But just as in the case of new version of Baekot-taryoung, characteristics of Kilsori gradually withered while its amusing feature got stronger than before. Along this phenomenon, the function of Sadangpae Kilgunak was changed to simple entertainment song.
Because these Baekot-taryoung soris is deeply related to the present Kyoungki popular folk song Neunsil-taryoung, Seodo popular folk song Baekot-taryoung and Kilgunak, this paper seems to pave the way for picturing the origin and the formation process of the three popular folk songs.
목차
Ⅰ. 머리말
Ⅱ. 배꽃타령 계통소리의 음악적 유래
Ⅲ. 배꽃타령 계통소리의 지역적 음악 수용 양상과 실체
Ⅳ. 맺음말
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