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자료유형
학술저널
저자정보
저널정보
한국민요학회 한국민요학 한국민요학 제12집
발행연도
2003.6
수록면
5 - 39 (35page)

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초록· 키워드

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This paper aims to research the transmission and characteristics of the traditional folksong 〈nonmaeneunsori〉, especially on the Yungnam province. The results are as follows;
1. This folksong is composed as starting song, long song, short song, fasten song, ending song. And the first starting song is spread especially on the Taebaek Mountain area. This means that 〈nonmaeneunsori〉 was much affected at the 〈Eusayong〉 which is sung at the mountain by woodcutter.
2. Long style songs are divided as two types. The first case, 'Sangsadiyeu', is widely spreaded in the left area of Nak-dong river, and the second is in the right area of river.
3. Short style songs are divided as three types. Ongheya' is transmitted In the southern area of Kyungpook province, 'Jeulrohane' is in the middle area, 'Bangasori' is in the northern and western area of that province.
4. Also fasten style songs are spreaded each area by many typical songs.
5. The words of 〈nonmaeneunsori〉 are composed very negative by which of meaningless of human beings, The absent of lover, sorrow of life, pains which is became heavy labor, etc.
6. And the words of 〈nonmaeneunsori〉 have unbalanced paragraphs. For examples, the paragraphs are not organic and destroy the poetic rhythms, not being unit of the position of chorus.
7. The methods of borrowing and using of words are two types, the one is borrow in the same genre of folksong, the other is out of folksong. These two methods are used frequently in 〈nonmaeneunsori〉 and are depend on the each area's peculiarity.

목차

Ⅰ. 서론
Ⅱ. 뒷소리의 전승양상
Ⅲ. 사설의 전승양상과 기대지평
Ⅳ. 사설의 특질
Ⅴ. 결론
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