지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study is to examine the interaction between the shamanistic song Danggeumaeggi and folk songs like ‘JoongnoraeㆍMaddalaeggi’ The inter-influence between the two genres is based on the narrative or made in the form of inserted lyrics.
One of interaction based on the narrative is Joongnorae(Songs about Monk), a folk song from the narrative of the Shamanistic Song Danggeumaeggi. Absorption of the shamanistic songs into the folk songs occurs in the fun-centered contents and somewhat ludicrous scenes, rather than in the parts related to ceremonies or the sacred and complicated narrative explaining the history of a god. The balladation develops a lot in the shamanistic songs of south areas of the Han River, where is in the progress of secularization, especially in those of Jeolla-do areas.
And there happen some re-alterations in folk songs based on the altered narrative, which are the mixture phenomena with songs for a married life under the parents-in-law and with legendary narrations. In addition, these narrative folk songs give birth to a variation focusing more on the love affair of the main men and women characters and having the more weakened narrative of the shamanistic songs while spreading over the other different area. Furthermore, this variation, when facing the folk songs based on no shamanistic songs or weakened ones, turns into an exception(rule-breaking form), which settles down in the realistic world of the folk songs with the mythical world dying out. Throughout the these changes, some parts of them are merged into other narrative folk songs and also used as motifs to make a song having different styles.
To examine the ways of the interaction in the form of inserted lyrics, the study goes through Joongtaryeung(A Ballad with Certain Kind of Tune about Monk) andMaddalaeggi(The Eldest Daughter). These songs are not in the shamanistic songs of north areas of the Han River, which means that the interaction is made in the course of seculization of the shamanistic songs. These songs has no function both indicative and narrative of an event, preferably used to stand out the character's characteristics.
It is showed that these songs are lengthened or mixed with other songs within the folk songs. Joontaryeung, one of these songs, pursues to be lengthened and gets transformed into a narrative folk song. Meanwhile, even though the songs of Maddalaeggi can speak for the desire for beauty of the women enjoying the folk songs, run among many women’s songs(sung by women), and get inserted as a part of other narrative folk songs, it is noticed that they have little influence on the development of the narrative, just used as a device to make prominent the beauty of a character in the narrative.
One of interaction based on the narrative is Joongnorae(Songs about Monk), a folk song from the narrative of the Shamanistic Song Danggeumaeggi. Absorption of the shamanistic songs into the folk songs occurs in the fun-centered contents and somewhat ludicrous scenes, rather than in the parts related to ceremonies or the sacred and complicated narrative explaining the history of a god. The balladation develops a lot in the shamanistic songs of south areas of the Han River, where is in the progress of secularization, especially in those of Jeolla-do areas.
And there happen some re-alterations in folk songs based on the altered narrative, which are the mixture phenomena with songs for a married life under the parents-in-law and with legendary narrations. In addition, these narrative folk songs give birth to a variation focusing more on the love affair of the main men and women characters and having the more weakened narrative of the shamanistic songs while spreading over the other different area. Furthermore, this variation, when facing the folk songs based on no shamanistic songs or weakened ones, turns into an exception(rule-breaking form), which settles down in the realistic world of the folk songs with the mythical world dying out. Throughout the these changes, some parts of them are merged into other narrative folk songs and also used as motifs to make a song having different styles.
To examine the ways of the interaction in the form of inserted lyrics, the study goes through Joongtaryeung(A Ballad with Certain Kind of Tune about Monk) andMaddalaeggi(The Eldest Daughter). These songs are not in the shamanistic songs of north areas of the Han River, which means that the interaction is made in the course of seculization of the shamanistic songs. These songs has no function both indicative and narrative of an event, preferably used to stand out the character's characteristics.
It is showed that these songs are lengthened or mixed with other songs within the folk songs. Joontaryeung, one of these songs, pursues to be lengthened and gets transformed into a narrative folk song. Meanwhile, even though the songs of Maddalaeggi can speak for the desire for beauty of the women enjoying the folk songs, run among many women’s songs(sung by women), and get inserted as a part of other narrative folk songs, it is noticed that they have little influence on the development of the narrative, just used as a device to make prominent the beauty of a character in the narrative.
목차
Ⅰ. 머리말
Ⅱ. 자료의 분포 양상
Ⅲ. 〈당금애기〉 서사의 민요화와 민요에서의 변이
Ⅳ. 삽입시가로서의 교섭과 민요에서의 변이
Ⅴ. 맺음말
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