지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
A storytelling user of MMORPG(Massive Multiuser On-line Role Playing Game) downloads the game program from the client server to his own computer, clicks to choose his own character and moves it, and then sends this status to the server computer the game company. This process can achieve media-combination and media-democracy and show new possibilities for the art of storytelling which does not exist prior to the computer generation.
The purpose of this paper is finding the ideal compositional form to make digital storytelling with MMORPG and theorize it.
MMORPG is not only a game but also a social virtual world. In this world, users do not only play a game, but live out another life through this game.
In this paper, we understand the user’s understanding of his MMORPG experience “as a social life in a virtual world”. We analyze such cases being materialized in MMORPG to categorize 4 basic narrative patterns.
First we have “Bridging Story”, which links one point to another point. Secondly, there is the “Active Bridging Story”, which proactively brings one to the other point. Actually it is originated when the player acts as an intermediary not only for himself but also for another person. The “Blocking Story” involves cornering and hoarding to intercept other users' actions and frustrate their wills. Finally “Active Blocking Story” is the most dominant. It blocks other users' will systematically through an organized process.
Through MMORPG, users experience increasing political influence through the bonding of social relationships with other users.
To realize such unity and democracy in MMORPG, it is crossed between the storytelling developer and storytelling user in one macroscopic line.
In order to clarify developer storytelling and user storytelling into one principle, we introduce syntagma, paradigm model in semiology and supposed narrative paradigm can be made of the union between narrative form and database.
A developer creates a game world by introducing a story with a background and narrative form; and the user, entering this world, experiences each facet of the narrative one by one as a new paradigm. And then the user, who has experienced these series of paradigms that have been created by the developer, utilizes these series in his own manner and creates another new story.
So narrative form and database are united with repetition of narrative and paradigm. This union is distinguished from traditional storytelling which chooses narratives simply from the database.
In MMORPG storytelling, the database exists as a menu and can be still selected even after one narrative is played out. Thus, from the perspective of preparing for the constantly, new convergence of the narrative and the database, this can be seen as a true narrative paradigm structure.
The purpose of this paper is finding the ideal compositional form to make digital storytelling with MMORPG and theorize it.
MMORPG is not only a game but also a social virtual world. In this world, users do not only play a game, but live out another life through this game.
In this paper, we understand the user’s understanding of his MMORPG experience “as a social life in a virtual world”. We analyze such cases being materialized in MMORPG to categorize 4 basic narrative patterns.
First we have “Bridging Story”, which links one point to another point. Secondly, there is the “Active Bridging Story”, which proactively brings one to the other point. Actually it is originated when the player acts as an intermediary not only for himself but also for another person. The “Blocking Story” involves cornering and hoarding to intercept other users' actions and frustrate their wills. Finally “Active Blocking Story” is the most dominant. It blocks other users' will systematically through an organized process.
Through MMORPG, users experience increasing political influence through the bonding of social relationships with other users.
To realize such unity and democracy in MMORPG, it is crossed between the storytelling developer and storytelling user in one macroscopic line.
In order to clarify developer storytelling and user storytelling into one principle, we introduce syntagma, paradigm model in semiology and supposed narrative paradigm can be made of the union between narrative form and database.
A developer creates a game world by introducing a story with a background and narrative form; and the user, entering this world, experiences each facet of the narrative one by one as a new paradigm. And then the user, who has experienced these series of paradigms that have been created by the developer, utilizes these series in his own manner and creates another new story.
So narrative form and database are united with repetition of narrative and paradigm. This union is distinguished from traditional storytelling which chooses narratives simply from the database.
In MMORPG storytelling, the database exists as a menu and can be still selected even after one narrative is played out. Thus, from the perspective of preparing for the constantly, new convergence of the narrative and the database, this can be seen as a true narrative paradigm structure.
목차
1. 서론
2. 상호작용 서사의 서사성과 사건성
3. 사용자 상호작용 서사의 4 가지 서사 패턴
4. 서사 계열체 이론 - 상호작용 서사의 시간성 구현 원리
5. 결론
참고문헌
저자소개
[Abstract]
참고문헌 (19)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
스토리텔링 연구의 동향과 사회문화적 실천의 가능성
어문학
2013 .12
-
서사능력의 구조와 기능, 그리고 그 교육에 대한 이론적 탐구
문학교육학
2004 .01
-
서사 표현 교육 방법 연구
국어교육연구
2007 .08
-
Game Storytelling과 인문학 교육의 한 방향
한국문학과 예술
2011 .09
-
모바일게임의 내러티브 시간성에 대하여 : 〈피터 래빗의 정원〉을 중심으로
아동청소년문학연구
2013 .12
-
디지털 게임에 나타난 자아와 세계의 상호작용 연구
어문학
2009 .06
-
비선형성 관점으로 본 매체와 서사
신영어영문학
2007 .11
-
한국어와 영어 스토리텔링 구사능력의 비교 탐색연구
이중언어학
2008 .01
-
영어영문학의 외연 확대를 위한 담화, 스토리,내러티브, 그리고 스토리텔링 연구의 상호연관성 탐색
영어영문학연구
2014 .01
-
디지털 스토리텔링의 종교교육적 활용
기독교교육정보
2011 .03
-
게임 서사와 영상 매체의 결합 가능성
스토리앤이미지텔링
2016 .12
-
게임의 서사구조
현대소설연구
2002 .06
-
스토리텔링의 이론 정립을 위한 시론 : 공간 스토리텔링으로서의 테마파크 스토리텔링
국어국문학
2008 .09
-
이야기판의 협력 구연과 기억의 공유
어문연구
2011 .01
-
가능성을 불러오는 이야기의 힘
국어국문학
2007 .09
-
문화융합으로서의 서사현상과 서사교육 : 아랑설화 기반 서사콘텐츠를 대상으로
국어교육연구
2015 .02
-
나의 이야기
한국여성신학
1994 .06
이 논문의 저자 정보
이 논문과 함께 이용한 논문
들뢰즈의 ‘차이의 존재론’ 과 ‘시간의 종합’ 이론을 통한 그 입증
조현수
철학
2013
.05
최위안의 영화 <저녁의 게임>에 표현된 시간성 연구 : 제라르 쥬네트의 시간성 이론을 중심으로
김종완
한국콘텐츠학회논문지
2014
.12
모바일게임의 내러티브 시간성에 대하여 : 〈피터 래빗의 정원〉을 중심으로
최미경
아동청소년문학연구
2013
.12
아피찻퐁 위라세타쿤의 『열대병』에 나타난 시간성 연구 : 들뢰즈의 시간-이미지론을 중심으로
김호영
서강인문논총
2015
.08
로컬리티의 시간성 : 국민국가의 시간 및 전지구화의 시간과 연관시켜
장세룡
역사와 세계
2015
.06
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-810-017363887