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〈Chungsanbyolgok〉 presumed to be formed in the end of Koryo dynasty is said to be one of the best of Koryo poetry and has already been studied in many ways. However the establishment of accepted theory supported by the academic world has not been made even though there are many arguments about the themes and structures.
Above all, there could be four different parts of the themes that have been argued.
First, 〈Chungsanbyolgok〉 is connected with the society considered to form the poetry. It means the 〈Chungsanbyolgok〉 is a song reflected the painful lives of serfs who had suffered from the disturbance of musins(military officials) and the invasion of Mongo.
Second, 〈Chungsanbyolgok〉 is the expression of personal emotion. It shows perception of the theme in poetry as the pain of the broken heart.
Third, 〈Chungsanbyolgok〉 is considered to connect with its structure. It means the grasp of the theme by examining the first stanza of 〈Chungsanbyolgok〉 consisted of eight stanzas which shows the expression of seeking Chungsan the Utopia and living there and the last stanza(the 8th stanza) about drunkenness.
Fourth, It is the search of the theme in 〈Chungsanbyolgok〉 by using new methods. there has been changing viewpoints from bibliography and literature to the science of religion, mythology, shamanism, and drama in search of the theme of 〈Chungsanbyolgok〉.
The reasons such themes seem to come out from are free interpretation due to the absence of historical records pertaining to 〈Chungsanbyolgok〉, different understanding of abstract words, no reveal about its formation in the content of 〈Chungsanbyolgok〉, personal viewpoints and methodolgy and the different way of recognizing the structure of 〈Chungsanbyolgok〉.
However, The bases of these themes are not from the historical records but from the guessworks of researchers. In addition, there are very few including the themes of eight stanzas.
Next, It is examined the present situation of the study on the structure of 〈Chungsanbyolgok〉. Many arguments about the structure have been mainly consisted of the systematic relations of 8 stanzas in 〈Chungsanbyolgok〉 or the collections of independent themes in each stanza.
After concretely being examined the theme of each stanza in 〈Chungsanbyolgok〉 it is clear that each stanza has its own independent theme showing the bitters of life such as worry, solitude, misfortune, yearning for Utopia with the mind of living in Chungsan or by the sea, special experiences such as listening to the performance of Haegeum (musical instrument) or being drunk and something related to occupation.
It has been studied hard the connection the time 〈Chungsanbyolgok〉 was made with Chungsanbyolgok to understand the work. However the result of efforts has raised doubts because of no historical basis but inference about the connection. It is desirable to argue the historical research on the basis of reliable data.
Finally, It is argued that 〈Chungsanbyolgok〉 has to be studied actively in the more positive point of view considering the interest of 〈Chungsanbyolgok〉 not only by the people living Koryo but by current people.
Above all, there could be four different parts of the themes that have been argued.
First, 〈Chungsanbyolgok〉 is connected with the society considered to form the poetry. It means the 〈Chungsanbyolgok〉 is a song reflected the painful lives of serfs who had suffered from the disturbance of musins(military officials) and the invasion of Mongo.
Second, 〈Chungsanbyolgok〉 is the expression of personal emotion. It shows perception of the theme in poetry as the pain of the broken heart.
Third, 〈Chungsanbyolgok〉 is considered to connect with its structure. It means the grasp of the theme by examining the first stanza of 〈Chungsanbyolgok〉 consisted of eight stanzas which shows the expression of seeking Chungsan the Utopia and living there and the last stanza(the 8th stanza) about drunkenness.
Fourth, It is the search of the theme in 〈Chungsanbyolgok〉 by using new methods. there has been changing viewpoints from bibliography and literature to the science of religion, mythology, shamanism, and drama in search of the theme of 〈Chungsanbyolgok〉.
The reasons such themes seem to come out from are free interpretation due to the absence of historical records pertaining to 〈Chungsanbyolgok〉, different understanding of abstract words, no reveal about its formation in the content of 〈Chungsanbyolgok〉, personal viewpoints and methodolgy and the different way of recognizing the structure of 〈Chungsanbyolgok〉.
However, The bases of these themes are not from the historical records but from the guessworks of researchers. In addition, there are very few including the themes of eight stanzas.
Next, It is examined the present situation of the study on the structure of 〈Chungsanbyolgok〉. Many arguments about the structure have been mainly consisted of the systematic relations of 8 stanzas in 〈Chungsanbyolgok〉 or the collections of independent themes in each stanza.
After concretely being examined the theme of each stanza in 〈Chungsanbyolgok〉 it is clear that each stanza has its own independent theme showing the bitters of life such as worry, solitude, misfortune, yearning for Utopia with the mind of living in Chungsan or by the sea, special experiences such as listening to the performance of Haegeum (musical instrument) or being drunk and something related to occupation.
It has been studied hard the connection the time 〈Chungsanbyolgok〉 was made with Chungsanbyolgok to understand the work. However the result of efforts has raised doubts because of no historical basis but inference about the connection. It is desirable to argue the historical research on the basis of reliable data.
Finally, It is argued that 〈Chungsanbyolgok〉 has to be studied actively in the more positive point of view considering the interest of 〈Chungsanbyolgok〉 not only by the people living Koryo but by current people.
목차
1. 서언
2. 주제
3. 구조
4. 각 연의 독자성
5. 현대적 의미
6. 결언
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UCI(KEPA) : I410-ECN-0101-2009-810-015483957