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- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2003.8
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- 5 - 24 (20page)
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Great Expectations has been mostly considered as a Bildungsroman in which Pip accomplishes a certain degree of moral growth. In the process of his moral growth, Pip shows some progressive changes in his view of women. This article deals with the changes of Pip's attitude towards women, centering on Pip's relationship with Mrs. Joe, Biddy, and Estella.
Pip as character is merged with the 19th century ideology of woman. He shows his antipathy towards aggressive women and reveals male superiority over women. Frequently he misunderstands and distorts what women say. Ultimately Pip silences women by not listening to but distorting their voices.
The mature Pip as narrator gives a warm eye on young Pip oppressed by his sister and other adults, and sympathizes with Pip's aspirations to become a gentleman. At the same time, he criticizes Pip's immature and narrow view of women. And in his narration he supports women's resisting voices through which they try to reject Pip's definition of themselves.
However, Dickens doesn't represent Pip the narrator as one who is totally free from his illusion about Estella. Dickens acts as a third voice who controls the context over Pip the narrator as well as Pip the character. Through his repeated revision of the ending Dickens reveals his criticism on the narrator's attitude. In this way Dickens criticizes the social system of silencing woman, and revives and supports women's voice.
Pip as character is merged with the 19th century ideology of woman. He shows his antipathy towards aggressive women and reveals male superiority over women. Frequently he misunderstands and distorts what women say. Ultimately Pip silences women by not listening to but distorting their voices.
The mature Pip as narrator gives a warm eye on young Pip oppressed by his sister and other adults, and sympathizes with Pip's aspirations to become a gentleman. At the same time, he criticizes Pip's immature and narrow view of women. And in his narration he supports women's resisting voices through which they try to reject Pip's definition of themselves.
However, Dickens doesn't represent Pip the narrator as one who is totally free from his illusion about Estella. Dickens acts as a third voice who controls the context over Pip the narrator as well as Pip the character. Through his repeated revision of the ending Dickens reveals his criticism on the narrator's attitude. In this way Dickens criticizes the social system of silencing woman, and revives and supports women's voice.
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