지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2002.8
- 수록면
- 77 - 102 (26page)
이용수
초록· 키워드
오류제보하기
George Eliot builds a community of Middlemarch in her own novel, Middlemarch whose subtitle is appropriately “A Study of Provincial Life.” It is examined in this essay how George Eliot, the novelist, builds a community called Middlemarch. The task of building a community in a real life can be reviewed in terms of political, economical and social aspects. But this community is being build by the language of literary imagination.
Each plot ― the five plots of Dorothea, Lydgate, Fred, Bulstrode and Featherstone can be counted here in Middlemarch ― may be considered as the member of the historical parallels structured by overlapping, juxtaposing or even crossing other plot or plots, in which the social customs and systems of its own have been established during the course of novel. Dorothea plot undergoes a short upward trend after the long decline. Whereas Lydgate plot, which begins later and ends earlier than Dorothea plot as the subplot, experiences a long descent after the short ascent, and so develops and even enlarges the same theme, the defeat of idealism in a society, such as the ideal Saint Theresa for Dorothea and the ideal Medical Reform for Lydgate. Three groups may be discerned in the structured paralleled plots. The first group includes Casaubon, Rosamond, Featherstone and Bulstrode, whose common theme is the deployment and frustration of egoism with the plot of continuous downward tendency. The second group has Dorothea and Lydgate, the major characters who have the fate similar to those of Bildungsroman. The third group, the opposite of the first group, includes Ladislaw, Mary and Caleb Garth with the plot of continuous upward tendency. Ladislaw is too futuristic, whereas Mary and Caleb Garth are too restrospective to properly and comfortably belong to the everyday mundane life of Middlemarch.
Likewise all the characters of Middlemarch can be divided into three groups in terms of sympathetic imagination. The first group characters have the egoistic illusion, and those of the third group have too much sympathetic imagination. Dorothea and Lygated, main characters, have the egoistic illusion at first and then become aware of the power of the sympathetic imagination. They represents the theme of this novel.
Each plot ― the five plots of Dorothea, Lydgate, Fred, Bulstrode and Featherstone can be counted here in Middlemarch ― may be considered as the member of the historical parallels structured by overlapping, juxtaposing or even crossing other plot or plots, in which the social customs and systems of its own have been established during the course of novel. Dorothea plot undergoes a short upward trend after the long decline. Whereas Lydgate plot, which begins later and ends earlier than Dorothea plot as the subplot, experiences a long descent after the short ascent, and so develops and even enlarges the same theme, the defeat of idealism in a society, such as the ideal Saint Theresa for Dorothea and the ideal Medical Reform for Lydgate. Three groups may be discerned in the structured paralleled plots. The first group includes Casaubon, Rosamond, Featherstone and Bulstrode, whose common theme is the deployment and frustration of egoism with the plot of continuous downward tendency. The second group has Dorothea and Lydgate, the major characters who have the fate similar to those of Bildungsroman. The third group, the opposite of the first group, includes Ladislaw, Mary and Caleb Garth with the plot of continuous upward tendency. Ladislaw is too futuristic, whereas Mary and Caleb Garth are too restrospective to properly and comfortably belong to the everyday mundane life of Middlemarch.
Likewise all the characters of Middlemarch can be divided into three groups in terms of sympathetic imagination. The first group characters have the egoistic illusion, and those of the third group have too much sympathetic imagination. Dorothea and Lygated, main characters, have the egoistic illusion at first and then become aware of the power of the sympathetic imagination. They represents the theme of this novel.
목차
Ⅰ. 머리말
Ⅱ. 언어 공동체를 건설하는 힘 : 평행구조
Ⅲ. 등장인물의 운명을 결정하는 힘 : 상상력
Ⅳ. 소설을 만드는 힘 : 언어
Ⅴ. 맺음말
인용 문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
『미들마치』: 결혼을 통한 가정과 직업의 탐색
새한영어영문학
2006 .05
-
George Eliot의 "여성과 교육" : The Mill on the Floss와 Middlemarch를 중심으로
새한영어영문학
1989 .12
-
19세기 성장의 서사와 성차: 『황폐한 집』과 『미들마치』
영미문학페미니즘
2004 .01
-
The Inward Sublime: Deconversion and Meliorism in George Eliot’s Middlemarch
근대영미소설
2008 .01
-
죽음과 성장: 『미들마치』와 『미 비포 유』
신영어영문학
2018 .11
-
As You Like It의 구성과 주제
새한영어영문학
1985 .02
-
An Ethical Reading of George Eliot’s Middlemarch
근대영미소설
2004 .01
-
The Female Gaze in George Eliot’s Middlemarch
영어영문학연구
2013 .01
-
Dorothea Brooke and the Story of Bildung
영미문학페미니즘
2000 .01
-
ꡔ미들마치ꡕ에 나타난 도덕적 비전
영어영문학21
2004 .01
-
에로스적 욕망에 의한 플롯 읽기를 통한 소설 텍스트 해석 연구
문학교육학
2013 .01
-
아리스토텔레스의 『시학』에서 보편으로서의 플롯과 예기치 않음
철학
2020 .08
-
소설교육의 세 요소와 분석적 이해
어문연구
2011 .01
-
Seeing as Believing: Beholding the Image in Lydgate’s Life of Our Lady
고전 르네상스 영문학
2014 .01
-
플롯 개념으로 顧剛 읽기-중국의 신화와 역사에 대한 독법의 하나로서-
중국소설논총
2006 .01
-
Climate Change and World History: Plotting the Way Forward
The Asian review of world histories
2015 .01
-
Psychological Patterns in the Double Plot of Our Mutual Friend
영어영문학연구
2002 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-840-015214750