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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2001.2
- 수록면
- 171 - 195 (25page)
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초록· 키워드
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After finishing the first part of "Lamia", John Keats wrote a letter to his friend, Reynolds. In this letter, he confessed: 'I have of late been moulting: not for fresh feathers & wings: they are gone, and in their stead I hope to have a pair of patient sublunary legs'(Letters Ⅱ.l28). Here, we can understand that the words, 'feathers' and 'wings' symbolize the ideal world, and the word, 'legs' the real world. So, when we read the letter, we can discern that he would like to change something in his attitude toward the question of how to live in this world.
Keats' fresh change of mind is described well in "Lamia". It has a main theme of true love between male and female. This theme is also present in the work that was written just before "Lamia", 'The Eve of St. Agnes". However, we know that there is a difference between the two works. That is, after the momentary experience of unreal or visionary love with her lover, Madeline, the heroine of "The Eve of St. Agnes", wakes up from her dream and experiences very real and perfect love with her love, Porphyro in the real world. On the other hand, Lycius, the hero of "Lamia", who returns to reality after his visionary love with a supernatural woman, Lamia, and then tries to continue to make love with a fantastic woman in the real world, is doomed to die instead of experiencing that love.
We know that Keats comprehended the truth: visionary love can only be eternal, not in the real world, but in the ideal world. Also, we know that from a dreamer in the ideal world, he moulted or changed to be a poet as a real man, to pour out beautiful and immortal songs upon this world by revealing the universality of human sorrow. He is ready to be 'a sage; a humanist, physician to all men'("The Fall of Hyperion", Canto Ⅰ.189-90).
In conclusion, we can say this "Lamia" is a work that is written on the threshold of transition from Keats as a dreamer to Keats as an experienced poet.
Keats' fresh change of mind is described well in "Lamia". It has a main theme of true love between male and female. This theme is also present in the work that was written just before "Lamia", 'The Eve of St. Agnes". However, we know that there is a difference between the two works. That is, after the momentary experience of unreal or visionary love with her lover, Madeline, the heroine of "The Eve of St. Agnes", wakes up from her dream and experiences very real and perfect love with her love, Porphyro in the real world. On the other hand, Lycius, the hero of "Lamia", who returns to reality after his visionary love with a supernatural woman, Lamia, and then tries to continue to make love with a fantastic woman in the real world, is doomed to die instead of experiencing that love.
We know that Keats comprehended the truth: visionary love can only be eternal, not in the real world, but in the ideal world. Also, we know that from a dreamer in the ideal world, he moulted or changed to be a poet as a real man, to pour out beautiful and immortal songs upon this world by revealing the universality of human sorrow. He is ready to be 'a sage; a humanist, physician to all men'("The Fall of Hyperion", Canto Ⅰ.189-90).
In conclusion, we can say this "Lamia" is a work that is written on the threshold of transition from Keats as a dreamer to Keats as an experienced poet.
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UCI(KEPA) : I410-ECN-0101-2009-840-015214467