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초록· 키워드
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Zibong's Akbu poems in Akbusinseong[樂府新聲] by Cha Cheon-ro are inquired, by dividing Zibong's consciousness and esthetic sense in them into four phases; woman's feelings of longing and reproach, hardships in the surroundings of people's lives, a realistic recognition in the border fortress, a manifesta- tion of introspection.
In woman's feelings of longing and reproach, the heart of longing and reproach located deeply in one's mind is exquisitely put into forward by a voice of woman poetic speaker with nothing damaged.
Although they borrow the form of Gungsa[宮詞] and Yeomjeongche[艶情體], they show the extraordinary poetic taste beyond an overflow of feeling in Mandangpung[晩唐風]. As his Yeomjeongche poems manifest woman's confidential world of feeling naturally in the place of woman poetic character, they correspond to his poetic standpoint of Seongdangpung[盛唐風].
In hardships in the surroundings of people's lives, under the basis of the vivid field situations, a living condition of a poor farm household and the hard time of people exacted into statue labor, are described realistically. However, not just staying on the compassion and sympathy of the people, he suggest what the real way of the ruler is. It can be seen that the result of his compassion for the people is that people are a fundamentalness of a Nation.
In a realistic recognition in the border fortress, the charac- teristics of Zibong's Broder poems[邊塞詩] whose subject matter is the border fortress are examined. Although some poets influenced by Tang poetry[唐詩] write the border poems, only to remain in the sphere of an idealistic border, but his poems, beyond that, is about a realistic border based on the acute realistic recognition. This extraordinary aspect of his poems corresponds to his poetic consciousness, that is, a revelation of some thoughts through the real thing breaking from the diagrammatized thoughts caused by the imitation of Tang poetry.
In a manifestation of introspection, his poems enable us to get a glimpse of his consciousness. At the way of living in harmony with Nature and seclusion, his free consciousness in late age, and his state of nothing-mindness attained by the awakening of Seeing things from the perspective of thing[以物觀物] could be read. In a poem of mocking at a lazy chicken, the ultimate meaning of self-discipline is expressed into an ironical humor.
Zibong develops various consciousnesses through his Akbu poems.
He doesn't have a poem of our Korean's good manners and public customs, and follows a Chinese Akbu in its title and content·form.
But it can be pointed out that it derives from the influences of Hakdangpung[學唐風], and is still in the universal world of medieval literature. Rather, in that his various consciousness is revealed in Euigoche Akbu[擬古體樂府], and an aesthetic sense of his poems to give us an extraordinary taste is superior to the Akbu poems in his times, the poetic value of Zibong's Akbu poems should be admitted.
In woman's feelings of longing and reproach, the heart of longing and reproach located deeply in one's mind is exquisitely put into forward by a voice of woman poetic speaker with nothing damaged.
Although they borrow the form of Gungsa[宮詞] and Yeomjeongche[艶情體], they show the extraordinary poetic taste beyond an overflow of feeling in Mandangpung[晩唐風]. As his Yeomjeongche poems manifest woman's confidential world of feeling naturally in the place of woman poetic character, they correspond to his poetic standpoint of Seongdangpung[盛唐風].
In hardships in the surroundings of people's lives, under the basis of the vivid field situations, a living condition of a poor farm household and the hard time of people exacted into statue labor, are described realistically. However, not just staying on the compassion and sympathy of the people, he suggest what the real way of the ruler is. It can be seen that the result of his compassion for the people is that people are a fundamentalness of a Nation.
In a realistic recognition in the border fortress, the charac- teristics of Zibong's Broder poems[邊塞詩] whose subject matter is the border fortress are examined. Although some poets influenced by Tang poetry[唐詩] write the border poems, only to remain in the sphere of an idealistic border, but his poems, beyond that, is about a realistic border based on the acute realistic recognition. This extraordinary aspect of his poems corresponds to his poetic consciousness, that is, a revelation of some thoughts through the real thing breaking from the diagrammatized thoughts caused by the imitation of Tang poetry.
In a manifestation of introspection, his poems enable us to get a glimpse of his consciousness. At the way of living in harmony with Nature and seclusion, his free consciousness in late age, and his state of nothing-mindness attained by the awakening of Seeing things from the perspective of thing[以物觀物] could be read. In a poem of mocking at a lazy chicken, the ultimate meaning of self-discipline is expressed into an ironical humor.
Zibong develops various consciousnesses through his Akbu poems.
He doesn't have a poem of our Korean's good manners and public customs, and follows a Chinese Akbu in its title and content·form.
But it can be pointed out that it derives from the influences of Hakdangpung[學唐風], and is still in the universal world of medieval literature. Rather, in that his various consciousness is revealed in Euigoche Akbu[擬古體樂府], and an aesthetic sense of his poems to give us an extraordinary taste is superior to the Akbu poems in his times, the poetic value of Zibong's Akbu poems should be admitted.
목차
1. 序 論
2. 艶怨의 女性情感
3. 愛民爲民의 表出
4. 使行길에 비친 邊塞
5. 餘他의 意境
6. 結 論
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