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On this study. through then comparing costume and hair style of Wei . Jin-South and North of the China Dynasty(魏晉南北朝). the study would make how these foreign relations and situation of the times reflect to the costumes and how AN-ac NO.3 tomb's hero costumes appearing An-ac area which is the base of Nakrang culture for a long time concern with Wei . Jin-South and North of the China Dynasty costumes at that time.
First of all. study about local features and general characters of An-ac area, Hwanghae-Do(黃海道) in which An-ac
NO.3 tomb is located and study about inside and outside situations with KOkuryo in the 4th century presumed building age.
The details that features and characters of Wei . Jin-South and North of the China Dynasty costumes compare and analyse with An-ac NO.3 tombs costumes through photo data. documents in the inside and outside of the country of paintings and mural painting are below.
Through comparing the form about costumes and hair styles, then. costume style is supposed to be data reflecting international relationship at that time directly and indirectly. Especially hair style was different with other murals and was similar with Hiljagae, Sunbin. Hero's costumes accepted Simeui(深衣) and Mugwan(武冠) style of Han
costumes. When refer to the circumstances, as the result how it represents the influence of inside and outside of the country, An-ac NO.3 tomb is recognized the typical case as makes through human interchanging between Korea and China. Because many Chinese moved to Yo-Dong and KOkuryo and become native Chinese local leaders group power in Nakrang, it is potential that Chinese style spread to the Korean Peninsula. The existence of An-ac No.3 tomb can be the evidence what Chinese-line(漢人系) group was whole An-ac Gun, Hwanghae-Do area. After expeling Nakrang out of there, many Chinese-line people remained in this area or wandering people came here and made some group power. so it suggests earlY governing form of Kokuryo was collective and indirect in this area. Therefore, An-ac NO.3 tomb shows the culture of Wei . Jin-South and North of the China Dynasty reflecting costume style like that and hero's costumes also present similar styles with costume of Wei . Jin-South and North of the China Dynasty.
First of all. study about local features and general characters of An-ac area, Hwanghae-Do(黃海道) in which An-ac
NO.3 tomb is located and study about inside and outside situations with KOkuryo in the 4th century presumed building age.
The details that features and characters of Wei . Jin-South and North of the China Dynasty costumes compare and analyse with An-ac NO.3 tombs costumes through photo data. documents in the inside and outside of the country of paintings and mural painting are below.
Through comparing the form about costumes and hair styles, then. costume style is supposed to be data reflecting international relationship at that time directly and indirectly. Especially hair style was different with other murals and was similar with Hiljagae, Sunbin. Hero's costumes accepted Simeui(深衣) and Mugwan(武冠) style of Han
costumes. When refer to the circumstances, as the result how it represents the influence of inside and outside of the country, An-ac NO.3 tomb is recognized the typical case as makes through human interchanging between Korea and China. Because many Chinese moved to Yo-Dong and KOkuryo and become native Chinese local leaders group power in Nakrang, it is potential that Chinese style spread to the Korean Peninsula. The existence of An-ac No.3 tomb can be the evidence what Chinese-line(漢人系) group was whole An-ac Gun, Hwanghae-Do area. After expeling Nakrang out of there, many Chinese-line people remained in this area or wandering people came here and made some group power. so it suggests earlY governing form of Kokuryo was collective and indirect in this area. Therefore, An-ac NO.3 tomb shows the culture of Wei . Jin-South and North of the China Dynasty reflecting costume style like that and hero's costumes also present similar styles with costume of Wei . Jin-South and North of the China Dynasty.
목차
Abstract
Ⅰ. 序論
Ⅱ. 時代的 背景과 構造 및 造形的 特徵
Ⅲ. 服飾의 形態的 特徵과 性格
Ⅳ. 結論
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