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지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The object of this thesis is to look into the narrative technique and inner form that rising writers had mainly used in 1950s novels. The 1950s novels include a motif that is directly or indirectly connected with war. Because the war is the absurdest situation that man can experience. Postwar novels is also created by modernistic methods that destroy the literary convention.
First of all, we mostly come in contact with crippled characters who are described by a single sensuous image in postwar novels. Moreover, there are abnormal relations between man and woman which destroy the existing ethical virtue. They symbolize the period of postwar that lose the order and value of normal life.
The unstable inner mind of the protagonist is also presented by the stream of consciousness through the free association. It is a technique that objectively presents different mental states, thoughts, and recollections. It leads to the literary form that consist of the loose plot and the spatial order of time.
In postwar novels, we find the plural points of view which variously illuminate an event. Also, the outer or inner conflict of the protagonist is objectively presented through dialogue, action, or inner monologue.
In conclusion, postwar novels in 1950s show the common feature which novelized the war experience. On the order hand, it is expressed by creative methods that is experimental and various.
First of all, we mostly come in contact with crippled characters who are described by a single sensuous image in postwar novels. Moreover, there are abnormal relations between man and woman which destroy the existing ethical virtue. They symbolize the period of postwar that lose the order and value of normal life.
The unstable inner mind of the protagonist is also presented by the stream of consciousness through the free association. It is a technique that objectively presents different mental states, thoughts, and recollections. It leads to the literary form that consist of the loose plot and the spatial order of time.
In postwar novels, we find the plural points of view which variously illuminate an event. Also, the outer or inner conflict of the protagonist is objectively presented through dialogue, action, or inner monologue.
In conclusion, postwar novels in 1950s show the common feature which novelized the war experience. On the order hand, it is expressed by creative methods that is experimental and various.
목차
1. 서론
2. 기형적 작중인물, 비극적 현실의 환유
3. 느슨한 플롯과 주관적인 시간의식
4. 복수 시점과 객관적 서술
5. 결론
참고문헌
Abstract
참고문헌 (41)
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UCI(KEPA) : I410-ECN-0101-2009-810-014054416