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논문 기본 정보

자료유형
학술저널
저자정보
KIM Soojin (Sungkyunkwan University)
저널정보
The Academy of Korean Studies THE REVIEW OF KOREAN STUDIES THE REVIEW OF KOREAN STUDIES Vol.27 No.2
발행연도
2024.12
수록면
9 - 38 (30page)

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초록· 키워드

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This paper examines the history of Korean art collections in the United States by dividing it into four major periods and discussing key issues to each period. During the first period, from 1882 to 1910, foreigners who visited Joseon and the Korean Empire collected Korean artworks. In the second period, Japanese antique dealers primarily gathered artworks in colonial Korea and sold them to American institutions and individuals. The third period, under U.S. military government rule following World War II, during the Korean War, and subsequent U.S. military presence, was marked by American residents collecting Korean art. The fourth period involves professional collectors who acquired Korean artworks through dealers in the United States instead of traveling to Korea and collecting them in person. This history of Korean art collections raises issues related to nationality, ethnography, and colonial collecting practices. Additionally, certain types of artworks that have not been highly valued in Korea received significant attention and were actively collected within the United States. This paper proposes alternative exhibition methods for overseas cultural heritage and calls for a reevaluation of Korean art collections in the United States from a perspective that moves beyond an ethnographic gaze.

목차

Introduction
The History of the Formation of Korean Art Collections in the United States
Issues of Provenance, Repatriation, and Utilization of Korean Art Collections
The Value and Future Prospects for the Utilization of Korean Art Collections in the United States
Conclusion
References
Abstract

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