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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2024.8
- 수록면
- 125 - 136 (12page)
이용수
초록· 키워드
오류제보하기
Jagyeongjeon was expanded during the 1828 Mujajinjak held during the stable period of Crown Prince Hyomyeong"s administration of state affairs. The stage of Mujajin"s production was the king and middle hall in the center of the hall, the spaces for the crown prince and crown princess were divided into the east and west of the main hall, respectively, and the western part outside the pillars of the hall was placed in Gongju, and the seats of the left and right lists were placed inside the main building outside the hall. Compared to before, the positions of the Crown Princess and Princess were moved to the center of the Bogye, and the positions of the Crown Prince were moved to the outside of Juryeom. The establishment of the crown prince"s seat within the royal family in the Crown Prince Iikilhoejak reflected the political status of Crown Prince Hyomyeong and had the complex meaning of strengthening the solidarity between relatives. Jeongilyeon was changed to a vertical structure that reflected political authority, while Yayeon and Ikilyeon were horizontally structured with the purpose of kinship. As for the folding screens, peacock folding screens were placed on the royal and central throne thrones, and Chaehwadanseok and Yongmundanseok were placed there. It is thought that the fact that the excrement of the dragon pattern was significantly reduced and the Western folding screen and Yeonpyeong statue, which had not been excreted before, were excreted in the Crown Prince Ikilhoejak was in keeping with the political authority of Crown Prince Hyomyeong, who ran the government. Involuntary work was constructed to create a space for people preparing for work, and the space was organized by dividing the type of work into excrement items. It was reflected in the early days by the crown prince of Daericheongjeong in order to solidify his political foundation and show solidarity between the royal families. The main reason for the change in repairs and Baeseol was the need for space for Crown Prince Hyomyeong and those who carried out the previous work.
목차
Abstract
1. 서론
2. 무자진작(戊子進爵)의 사료고찰과 자경전(慈慶殿)
3. 무자진작(戊子進爵)의 무대 구성
4. 무자진작의 수리(修理)와 배설(排設) 특징
5. 결론
REFERENCES
참고문헌 (13)
참고문헌 신청
An, Y. J. (2022). The Court Banquet Paintings During the Proxy Administration by Crown Prince Hyomyeong(1809~1830), Thesis, The Graduate School, Hongik university.
Jagyeongjeon jin jag-uigwe (1827). Seoul National University Kyujanggak, https://kyu.snu.ac.kr
Joo, N. C. (2005) A study on the architectural records of prince Hyomyung, Journal of Architectural Institute of Korea, 21(10), 219-225.
Kim, M. S. (2011). "Filial duty culture based politics" of crown prince Hyomyung and the reinforcement of royal authority, Journal of Korean Adolescents Culture, 17. 113-133.
Kyoung, S. J., & Cho, J. M. (2015). A study on layout and operation of suk-seol-so and jung-bae-seol-cheong at court banquets in the late joseon - focusing on uigwe ritual manual for court banquets, Journal of Architectural History, 24(6), 67-82.
Jagyeongjeon jin jag-uigwe (1827). Seoul National University Kyujanggak, https://kyu.snu.ac.kr
Joo, N. C. (2005) A study on the architectural records of prince Hyomyung, Journal of Architectural Institute of Korea, 21(10), 219-225.
Kim, M. S. (2011). "Filial duty culture based politics" of crown prince Hyomyung and the reinforcement of royal authority, Journal of Korean Adolescents Culture, 17. 113-133.
Kyoung, S. J., & Cho, J. M. (2015). A study on layout and operation of suk-seol-so and jung-bae-seol-cheong at court banquets in the late joseon - focusing on uigwe ritual manual for court banquets, Journal of Architectural History, 24(6), 67-82.
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