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논문 기본 정보

자료유형
학술저널
저자정보
추은영 (홍익대학교 대학원 미술학과)
저널정보
한국기초조형학회 기초조형학연구 기초조형학연구 제24권 제6호
발행연도
2023.12
수록면
505 - 517 (13page)

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The symbolism of the appearance of animation characters has an inseparable relationship with its connotation and appears through promises about socially accepted symbols. Since most of the existing studies have mainly focused on the external aspects of animation characters, it is necessary to study the mutual relationship between symbol and its connotation that lead to the animation character''s shape. The purpose of this work is to classify the characteristics of animation characters into connotation and denotation based on semiotics theory of Barthes, and analyze the connotation as a measure of personification and the denotation in terms of the big five factor model of Paul Costa and Robert McCrae. We first select 20 animation characters close to the universal human image, and then quantitatively analyze the results of a one-to-one, face-to-face interview survey performed for 90 college students. As a result, we find that the more simplified and impersonified the animation character, the higher the extraversion and agreeableness relative to the other personality factors such as neuroticism, openness, and conscientiousness. Extraversion refers to the degree to which one wants to interact with others and attracts attention, and has characteristics such as activeness, sociability, and activity. Agreeableness represents the degree to which a harmonious and comfortable relationship with others is maintained, and has characteristics such as reliability, honesty, and altruism. Our result implies that the more anthropomorphic, the higher the figure of personality factors that are closely related to the formation of mental ties, one of the greatest characteristics of human beings. This result can be used to analyze the animation character''s appearance and develop artistic creativity in the visual expression of a work of art.

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