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A Space of the 'Existence without Visibility' Seen in the Children's Poetry of Oh Soon-taek ― Focusing on A Thief Stealing Moon and A Dove with Pink Shoes ―
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오순택 동시에 드러난 '보이지 않는 있음'의 표상 ― 『달 도둑』과 『분홍 신발 신은 비둘기』를 중심으로 ―

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Type
Academic journal
Author
Shin, Jung-a (단국대학교)
Journal
The Korean Association of Children's Literature The Korean Journal of Children's Literature Studies No.47 KCI Accredited Journals
Published
2023.11
Pages
155 - 177 (23page)
DOI
10.24286/KJCLS.2023.11.47.155

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A Space of the 'Existence without Visibility' Seen in the Children's Poetry of Oh Soon-taek ― Focusing on A Thief Stealing Moon and A Dove with Pink Shoes ―
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Abstract· Keywords

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This article perceives a space of the ‘existence without visibility’ presented in time and space in the children’s poetry of Oh Soon-taek, and reviews how it contributes to expanding the truth and meaning of the world. Oh’s children’s poetry was formed with the emergence of perception of things and the poet’s experiences, and the forms of images mixed with the world seen by the poet and the ‘existence without visibility’. First, he discovers the existence without visibility in objects, nature, and humans. By expanding the object, he not only penetrates deeper into the object to recognize it, but also shows that just because something is invisible does not mean it does not exist, emphasizing that understanding the world is about perceiving phenomena even though we cannot see or hear them. Second, the vision projected to nature in Oh’s children’s poetry is formed as the ‘presentation of the world’. He is a poet who dramatizes the connection between the visible and the invisible, expressing the essence of things and the fundamental principles of existence through thought and intuition. He also reveals the subjective self of the world by bringing out the truths of life embedded in nature in his children"s poetry. Third, the "appearance of the invisible" through the unity of things and world is the most remarkable feature of Oh’s children’s poetry. The pure and simple image of the creative world, which the world has not yet discovered, melts like a painting in his children’s poetry, opening the readers’ eyes to the spiritual actuality and internal reality.

Contents

요약
Ⅰ. 서론
Ⅱ. ‘보이지 않는 있음’의 발견 ; 사물, 자연, 그리고 인간
Ⅲ. 자연에 투사된 ‘비전’ ; 세계의 연출
Ⅳ. 사물과 세계의 일치 ; 보이지 않는 것의 외관화
Ⅴ. 결론
참고문헌
Abstract

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