메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
손영희 (광운대학교)
저널정보
한국중앙영어영문학회 영어영문학연구 영어영문학연구 제65권 제1호
발행연도
2023.3
수록면
21 - 50 (30page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
In “The Muse’s Tragedy” and The Custom of the Country, Edith Wharton questions the literary production in which male poets/artists seek inspiration from their female muses, believing that their fount of creativity would not run dry as long as the fantasy about the muses lasts. In “The Muse’s Tragedy,” Vincent Rendle’s poetry is inspired by Mary Anerton and their relationship is likely to be repeated between her and Lewis Danyers. However, when she becomes aware that she was deprived of her own identity by Rendle, she refuses to be Danyers’s muse and chooses to be the author of the third part of this short story. By adding asterisks to Rendle’s letters, she also demonstrates that she is the origin of meaning. In The Custom of the Country, Ralph Marvell wishes to write poems inspired by Undine Spragg. However, Undine is not a passive muse that can be transformed by a poet to fill his dream. In the literary production in which a female muse is the source of inspiration for a male artist, she is a signifier for his creativity and an object rather than the subject of her desire. Wharton argues that the idea of a Romantic muse along with its production of classical literature is anachronistic because it neither satisfies the aspirations of the New Woman nor meets the needs of the modern-day patrons of art and literature.

목차

등록된 정보가 없습니다.

참고문헌 (0)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0