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자료유형
학술저널
저자정보
최영호 (한밭대학교)
저널정보
한국중국언어문화연구회 한중언어문화연구 한중언어문화연구 제41호
발행연도
2016.6
수록면
179 - 197 (19page)

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Critical balance is an expression used to explain the judgment or evaluation of a critic. However, this can be also used when the attitude of a critic toward objects is assessed. When we want to use this expression relating to a critical attitude of MaoDun, what we want this to mean is the critical balance between creation and criticism or between theory and practice. If it is put this way, some people would think that this expression has an intention to imply that the critical attitude of MaoDun is somewhat moderate and relaxed. However, we don't say the balance to obliquely refer that his criticism is moderate and relaxed. Rather, we want to emphasize his active attitude to understand the difference between creation and criticism or between theory and practice and seek a harmonized and balanced communication between them in the left-wing literary circle where the rift between those creation and criticism was deepening. In the end, no critic could approach criticism and critical mind for it more actively from a position of a writer than MaoDun among Chinese contemporary writers. This is, of course, greatly based on his unique literary career where he made debut as a novelist in the midst of actively working as a literary critic and then returned to the literary critic. Among his literary career, the 1930's, when his creation and criticism were concurrently carried out, can be said as a kind of exploration period for functional relation between the two.

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