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The Study of the Hybridity of Modern Chinese Popular Music through Shanghai Shidai Songs
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상하이 時代曲을 통해 본 중국 근대 유행음악의 혼종성 연구

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Type
Academic journal
Author
MyungSook Choi (상명대학교) KIM HYUN-JU (상명대학교)
Journal
조선대학교 국제문화연구원 국제문화연구 국제문화연구 제14권 제2호 KCI Accredited Journals
Published
2021.12
Pages
47 - 72 (26page)
DOI
10.34223/jic.2021.14.2.47

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The Study of the Hybridity of Modern Chinese Popular Music through Shanghai Shidai Songs
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Abstract· Keywords

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After the First Opium War (1840∼1842), the concession of Shanghai (tentatively 31199; within the boundary) freely transplanted Western cultures such as Britain, the United States, France and Japan, and began to flow into multinational mixed cultures. Like this, Shanghai pop songs made in 1920∼1940s have also influenced the narrative and reproduction of Chinese pop music for nearly a century. In this paper, through the Shanghai old songs, which appeared mainly in Shanghai in the 1920s and 1940s and gained great popularity in the public, also named Shanghai period songs, primarily discussed the hybridity and characteristics of them. Next is the examination of the genre of Chinese new music and the mixed pattern of singing methods born in the process of introducing Western music. The nationwide success of academic musicians through Japan, the expansion of jazz music, and patriotic songs created by left-wing musicians of "Academic group" developed through mutual intersection and mix between musical elements. It is a huge and complex task to reveal the full picture of the mixing of modern Chinese pop music and Shanghai period songs. This paper throufg the understanding China's complex and multi-layered historical events, social phenomena, and musical hybridity, can be meaningful in providing an important clue for a full-fledged comparative study of modern pop music between Korea and China.
#중국 근대 유행음악 #상하이 시대곡 #상하이 노가 #학당악가 #재즈 #혼종성 #Chinese popular music #Shanghai 'shidai' song #Shanghai old song #school song #jazz #hybridity

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References (38)

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김수연 / 2008 / 소리 미디어와 근대 시공간 ― 1930년대 상하이 대중문화의 지형학 / 중국현대문학 (44):135~163 google schola 김승욱 / 2009 / 근대 상하이 도시 공간과 기억의 굴절 / 중국근현대사연구 (41):115~140 dbpia 김은영 / 2018 / 1930년대 대중잡지에 투영된 여성 대중가수의 이미지 / 음악과 현실 (55):209~242 dbpia 김정욱 / 2007 / 상하이 영화 연구Ⅰ -1930년대 라오(老)상하이 영화의 영상 미학적 정체성 / 중국인문과학 (36):399~413 google schola 김태연 / 2013 / 黎錦暉와 時代曲의 탄생 / 중국현대문학 (66):1~26 google schola

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