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논문 기본 정보

자료유형
학술저널
저자정보
서주희 (서울대학교)
저널정보
한국영미문학페미니즘학회 영미문학페미니즘 영미문학페미니즘 제29권 제3호
발행연도
2021.12
수록면
119 - 161 (43page)

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This study explores the significance of shame in James Baldwin’s Giovanni’s Room. Giovanni’s Room, Baldwin’s second novel which was published in 1956, is narrated from the perspective of David, a white American living in France. Waiting for the execution of his former lover, Giovanni, David begins his story in a first-person narration that displays a confessional, retrospective mode. This study delves into the novel’s own language and imagery that are associated with David’s shame, and particularly the word “grotesque.” Shame has been an important keyword in queer theory in that the affect of shame discloses the structures of heteronormativity but also makes it possible for non-normative subjectivities to disidentify themselves from dominant structures of race, gender and sexuality. First, I read David’s shame through the grotesque in adjunction to Julia Kristeva’s abject which represents the indivisibility of the subject and the phobic object. Then, I look into the confessional form of the novel in order to think about the political and aesthetic significance of the novel. I argue that the confessional form not only enables David to retrospectively investigate his sources of shame, the heteronormative “American ideal of manhood” that forecloses bodily desire, but also helps him confront his shame and confess his love for Giovanni in order to break away from the constricting ideologies of manhood, heteronormativity, and desire.

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