지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study analyzed the aging special effects make-up in The Curious Case of Benjamin Button (2008) and the de-aging special effects makeup in The Irishman (2019) in stages. In doing so, it examined the process of remediation that the analog/practical aging make-up has been repurposed to the de-aging make-up in particular by digital media. The coexistence of the practical aging make-up with using tissue papers and the digital special effects make-up, such as the synthesization of 3D scanning of the actor’s maquettes and the actor’s actual facial expression, made The Curious Case of Benjamin Button the remediational turning point from the analog technique to the digital, while digital media involved in most scenes in The Irishman, made the main actors’ faces look younger according to age stages. The film useed the three-camera-rig to create 3D images of actors acting. After extracting the actors" actual expressions as 3D images, the actors" young faces obtained as a result of machine learning about past video materials were synthesized here. Furthermore, a software called Flux was developed and used to add light and shade to the synthesized face in harmony with the set environment, and at the same time, to perform fine facial expressions.
The de-aging technique of The Irishman is the latest in the genealogy of special effects make-up and most cutting-edge technology, as digital media immediately repurpose the traditional aging make-up. Accordingly, the de-aging shows following technological merits and/or importance. First, it can provide greater efficiency in the actor"s physical condition and acting compared to the practical makeup. Second, compared to the performance capture technique, which can be seen as a type of special effects make-up, it can give greater freedom of acting and directing to both actors and directors. Third, the de-aging can be said to be a combination of the pros and cons of actual special makeup and performance capture in that unlike performance capture, which allows the actor to accurately recognize the other actor"s surroundings only through a computer monitor, the de-aging can freely act in harmony with the surrounding environment and the other actors in the set as if the actor had practical make-up. Fourth, by not performing animation, the de-aging can find its value in terms of the fundamental truthfulness of acting beyond the plausibility of representation. Finally, the technique reduced the possibility of excluding respected actors with long experience in acting and maximum life experience from the role just because they are old.
The significance of this study can be said that the theory of remediation of new media in the area of cultural studies was expanded to the film area of special effects make-up, and the technological importance of the de-aging technique was extracted. What the process of remediation was discussed with only two films among the various films in which special effects makeup was used can be viewed as the limitation and efficiency of this study as well.
The de-aging technique of The Irishman is the latest in the genealogy of special effects make-up and most cutting-edge technology, as digital media immediately repurpose the traditional aging make-up. Accordingly, the de-aging shows following technological merits and/or importance. First, it can provide greater efficiency in the actor"s physical condition and acting compared to the practical makeup. Second, compared to the performance capture technique, which can be seen as a type of special effects make-up, it can give greater freedom of acting and directing to both actors and directors. Third, the de-aging can be said to be a combination of the pros and cons of actual special makeup and performance capture in that unlike performance capture, which allows the actor to accurately recognize the other actor"s surroundings only through a computer monitor, the de-aging can freely act in harmony with the surrounding environment and the other actors in the set as if the actor had practical make-up. Fourth, by not performing animation, the de-aging can find its value in terms of the fundamental truthfulness of acting beyond the plausibility of representation. Finally, the technique reduced the possibility of excluding respected actors with long experience in acting and maximum life experience from the role just because they are old.
The significance of this study can be said that the theory of remediation of new media in the area of cultural studies was expanded to the film area of special effects make-up, and the technological importance of the de-aging technique was extracted. What the process of remediation was discussed with only two films among the various films in which special effects makeup was used can be viewed as the limitation and efficiency of this study as well.
목차
I . 문제제기
I I . 재매개와 특수분장
I I I . 디지털 재매개: 실제적 특수분장에서 디지털 특수분장으로
I V . 결론 및 토론
참고문헌
Abstract
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