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자료유형
학술저널
저자정보
Svend Erik Larsen (Aarhus University)
저널정보
한국영어영문학회 영어영문학 영어영문학 제61권 제3호
발행연도
2015.1
수록면
383 - 398 (16page)

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Faced with an unknown future, cultural historians, scientists in general and politicians as well rely on basic aesthetic strategies: narratives and metaphors. Narratives locate the unknown in a scenario of interacting humans in time an spaces; in other words, they use the parameters of the known human life world to make the unknown knowable; metaphors relate the unknown, large and small, to known situations and phenomena and direct our attention to a recognizable world. However, such strategies can be both misleading and backward looking in spite of all good intentions of creating an understanding with the opposite effect. One strategy caught in this predicament is Marshall McLuhan’s early coinage in The Gutenberg Galaxy (1962) of the metaphor of the global village to suggest a narrative to grasp the unknown future of the digital and networked society. The article analyses the metaphor, both with regard to its understanding of the known world it refers to and with regard to the networked future it envisions. Based on the analysis of two autobiographies from the 17th and 18th century, from Iceland and Tasmania, the article unfolds the subjective approach to multidimensional colonial networks in transition as a more relevant historical complexity to come to grips with a globalized future than the image of the village.

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