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논문 기본 정보

자료유형
학술저널
저자정보
이지용 (신한대학교)
저널정보
단국대학교 한국문화기술연구소 한국문화기술 한국문화기술 제13권 제2호
발행연도
2018.1
수록면
115 - 135 (21page)

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초록· 키워드

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Fantasy in North Korea are heterogeneous at the antipodal point of socialist realism and have been recognized as unnecessary elements. However, in exceptional cases I have allowed fantasies with children’s literature and scientific fantasy, medieval fantasy. Fantasy is an element that can not be excluded from cultural art. Furthermore, since the 2000s, the range of enabling fantasy of cultural art has expanded, and this phenomenon is conspicuous especially in video texts. What showed the possibility of such a change was made in 1985, and it can be a movie <Bulgasari> published in 1998. <Bulgasari> is classified as an art movie from North Korea. This is basically analyzed in the range of a medieval fantasy that takes a form of a dramatic film and utilizes a classic story. However, medieval fantasy is permitted mainly in the classical scrivener called ethnographic literature. Compared with this, <Bulgasari> shows a new epic utilizing Gosol ‘s story. It also has possibilities as a historical movie and a revolutionary movie. However, classification and criticism of the features of movies other than basic classic art movies of the dramatic film are not discovered. This is because the elements of the fantasy held by <starfish> are operating outside the range restricted by North Korea. In order to clarify and make meaning to genre-like provisions of <Bulgasari>, it is in evitable to extend the meaning of fantasy. Bulgasari is a story based on a story with a historical background, but acts as a reality allegory that fantasies have, not as a role as ethnic classics. This is the same as the original role of the ring which reveals the actual backside and exposes reality hidden areas. In this way, <Bulgasari> can be a work showing an unusual part of the implementation aspect of the fantasy from North Korea. And the possibility of expansion of vision in North Korean culture art, which can be derived by this, significantly affects the interpretation methodology of the meaning held by North Korean cultural art.

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