지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The advent of cinema at the dawn of the twentieth century profoundly ruptured the nineteenth-century notion of spectatorship as a constituent of bourgeois male subjectivity by allowing marginalized social groups such as working-class women, child vagrants, and rural people to have access to a new public sphere. This paper focuses on the British modernist writer Dorothy Richardson’s film writing which appeared in the avant-garde literary magazine Close Up (1927-1933) to show how the silent cinema spectatorship in the 1920s challenged gendered, class-bound notions of spectatorship. In particular, this paper explores the representation of spectatorial practices in her film writing and the ramifications of a particular mode of perception she valorizes: contemplation. Throughout the column she wrote for Close Up, Richardson, writing from the perspective of one of the spectators seated in a movie theatre, committed herself to theorizing spectator subjectivity in the early sound era. By taking up a position similar to that of the nineteenth-century male urban investigator, Richardson revises the dominant imaginative mappings of London through her discussion of the spaces of the movie theaters and the demographic makeup of the cinema audience. Challenging dominant views on cinematic perception, Richardson associates absorptive, contemplative modes of perception with plebeian spectatorship to highlight the cinema’s therapeutic, emancipatory function for the underprivileged. Richardson also contends that silent films, when accompanied by simple piano music and performed in a small, garage-like movie theater, should be the norm to secure and nurture contemplation.
목차
등록된 정보가 없습니다.
참고문헌 (23)
참고문헌 신청
Balázs, Béla / 2009 / Film Theory and Criticism / Oxford UP :273~275
Benjamin, Walter / 2008 / The Work of Art in the Ag of Its Technological Reproducibility, and Other Writings on Media / Harvard UP
Braudy, Leon / 2009 / Film Theory and Criticism / Oxford UP
Egger, Rebecca / 1992 / Deaf Ears and Dark Continents: Dorothy Richardson’s Cinematic Epistemology / Camera Obscura 10(3):4~33
Felski, Rita / 1995 / The Gender of Modernity / Harvard UP
Benjamin, Walter / 2008 / The Work of Art in the Ag of Its Technological Reproducibility, and Other Writings on Media / Harvard UP
Braudy, Leon / 2009 / Film Theory and Criticism / Oxford UP
Egger, Rebecca / 1992 / Deaf Ears and Dark Continents: Dorothy Richardson’s Cinematic Epistemology / Camera Obscura 10(3):4~33
Felski, Rita / 1995 / The Gender of Modernity / Harvard UP
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
From “Einfuhlung” to Empathy: The Problem of Other Minds and Aesthetic Encounters in Pursuit of Self-Understanding in Dorothy Richardson’s Pointed Roofs
근대영미소설
2022 .04
-
한국 새뮤얼 리처드슨 연구의 궤적과 전망
18세기영문학
2024 .05
-
낭독하는 여자: 도로시 리차드슨의 『터널』에 나타난 청각적 자아와 정동적 경험
근대영미소설
2024 .04
-
The Epistolary Form’s (In)effectiveness as a Moral Instrument in Richardson’s Pamela
18세기영문학
2015 .01
-
섹스로봇 (Sex robot)의 상용화가 갖는 윤리적 문제와 윤리적 정당성 확보에 대하여
철학논총
2019 .01
-
『침묵의 봄』(Silent Spring)에 나타난 유기론적 세계관
신영어영문학
2020 .08
-
워즈워스의 불확정성에 대한 독자의 인식 지평 확대
동서인문학
2015 .06
-
나운규의 무성영화와 중간자막의 미학
구보학보
2017 .06
-
셀레스트 잉의 『작은 불씨는 어디에나』에 나타난 백인 중심의 가족 가치의 해체와 재구성
새한영어영문학
2022 .08
-
한류의 시대, 한국영화의 혼종성과 초국적인 수용에 접근하는 문화연구의 방법론
인문학연구
2017 .06
-
Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645–770, by Dorothy C. Wong. Singapore: National University of Singapore Press, 2018. 376 pp. (ISBN: 9789814722599)
International Journal of Buddhist Thought and Culture
2020 .12
-
Dorothy and William Wordsworth’s Joint-Labor in Grasmere, 1799-1802
영어영문학
2015 .01
-
《劳工之爱情》의 汉-英자막 번역 전략 - 축역(縮譯)과 문화 함축
중국어문논역총간
2020 .07
-
중국어 묵독 중 단어식별 고찰
중국언어연구
2016 .01
-
1920-30년대 영화 잡지와 관객성
동남어문논집
2017 .01
-
Talk for Silent Patients : Questions and Answers between Veterinarians and Pet owners
담화·인지언어학회 학술대회 발표논문집
2016 .04
-
영화 <델마와 루이스>에서의 장르의 전복과 관객성의 문제
영미문학페미니즘
2015 .01
-
Imperial Topography in C. S. Lewis’s Out of the Silent Planet
근대영미소설
2018 .01
-
Put Yourself in White Shoes: Race and Translation in a Korean Production of Songs of the Dragons Flying to Heaven
Situations: Cultural Studies in the Asian Context
2021 .09
-
Virtue Rediscovered in Samuel Richardson’s Pamela
18세기영문학
2019 .01
이 논문의 저자 정보
최근 본 자료
댓글(0)
0